Weaving in Ancient China
After a three-month stint in Beijing, I went home for a month. It’s funny how being away makes you appreciate every little thing. Of course there is family – my husband, sons, my mom, brothers and sisters, friends and colleagues. Then there are blue skies, clean air, the sound of quiet, driving my car, air conditioning, clean bathrooms, ice …
A month later, I am back in Beijing. It’s different this time. While it is still a fabulous adventure, it was much tougher leaving home. The first time, there was the mystery of Asia and the challenge of the new business venture. We still have challenging work to do but I miss the rhythms of home.
While here, I continue to explore the city. My first free day, I went to the Summer Palace. It is 20 subway stops from where I stay and took almost an hour to get there.
The property is huge like most everything else here. It covers an area of 2.9 square kilometers (720 acres), most of which are bodies of water. It is kept immaculately groomed and landscaped. I walked for five hours straight that day, up and down steep stairs and around the lake.
I enjoyed …
Being out in the fresh air on a cool day.
The rich vegetation of the gardens.
The earthy smell of the pine trees.
Seeing families camping on the grounds, having picnics and taking naps.
Watching ladies dancing under gazebos.
Listening to an old man playing his flute by the lake.
Along the corridor of the Studio of the Jade River (Yuhe Zhai), there was a series of stone carvings. According to the placard, the original scenes were painted on woven silk by the painter Cheng Qi during the Yuan Dynasty (mid-1700s). The scenes portray men farming and women weaving in ancient China. I selected the ones showing women’s work.
The stone carvings were framed and the bright day cast reflections on the glass.
It was a beautiful day but there is still no place like home.