Weaving in the Mayan Tradition

January 27, 2019March 18, 2019 | Verónica

During our trip to Lago Atitlán, I had the opportunity to learn how to weave on a backstrap loom. My instructor, Rosa, was from the Asociación de Mujeres Tejedoras con Tinte Natural Lema’. The women in Lema’ are Tz’utujiles, a Native American Mayan ethnic group. While I was able to communicate in Spanish, most of the women spoke with each other in their native Tz’utujil language.

The association’s mission is as follows:

We are Tz‘utujiles women. By making these handmade textiles with natural dyes and colors, we are keeping our ancestral Mayan culture and tradition. This association provides work, especially for women, hoping to increase the quality of our living in our village, San Juan la Laguna.

The corner storefront is filled with beautiful handmade textiles. The Mayan motifs and patterns could be found on table runners, scarves, small bags, huipiles, and belts.

There were sturdy handwoven baskets in simple yet beautiful designs.

I thought these would make great cosmetic bags.

I regret not buying this belt. It is incredibly detailed and covered in strawberries.

In one section of the store, they had samples of the natural cotton used to make yarn.

Also on display were the plants from which they created natural dyes.

All of the dyes were made from plants native to the area.

I signed up for the class one evening and was able to select the colors for the scarf I was going to weave. I selected this deep red made from the crushed seeds of the achiote tree.

The next morning, the threads had been set up on the loom and several inches had been started. My instructor, Rosa, then strapped the loom onto me until we got the right tension. Then began the rhythmic process of weaving. Lift the green section of threads with the beater – here, a flat piece of wood sanded through use – and throw the shuttle with the yellow thread through the opening. The beater is then turned so it lays flat and pushed down over the threads to line them up tightly. I was mesmerized by how the colors shifted after pulling down on the shed and heddle rods – the two horizontal sticks (second and third from the top). From time to time, I wasn’t able to catch all the threads when I threw the shuttle. Rosa’s capable hands would step in and correct my mistake and show me what I had done. I wove, slowly, for a couple of hours. I finally got into a rhythm and could tell for myself when I had missed a thread. Rosa stepped out for a while but her daughter kept watch over me.

When Rosa came back, she helped me finish the scarf. It took her 20 minutes to complete the number of inches it had taken me two hours to weave! And here is my scarf – woven on a backstrap loom in the Mayan tradition.

If you ever venture to Guatemala, Lago Atitlán is a must-stop. Spend a few days going from village to village as each has its own special character. When you go to San Juan La Laguna, stop by Lemá and say hello to Rosa for me. You can find Lemá on Facebook or Instagram or contact them via email at asociacionlema01@gmail.com or phone at (502) 586 68446.

When our trip was over, we took a small motorboat across the lake to another village where our driver would pick us up. That trip across the lake was magical.

As I rode across the lake,

With the wind blowing back my loose hair,

I closed my eyes and turned my face to the skies.

As the hot sun warmed my face,

I imagined I was an indigenous Mayan woman

Crossing the lake to trade in the neighboring village.

It was as if my own ancestors emerged from my being.

Fermented by the Mayan sun,

My face reflected on the waters of Atitlán

And captured the hopes of the women who came before me.

And I smiled.

I was home.

Weekend in Antigua, Guatemala

June 17, 2018June 17, 2018 | Verónica

After the week-long MBA Field Study, my husband and I headed over to Antigua, Guatemala for a long weekend. Antigua was originally the capital of Guatemala until an earthquake destroyed it in 1773. This colonial city is surrounded by mountains and volcanoes. The city is full of history, beautiful architecture and ruins, abundant with arts and crafts, and culinary delights. We didn’t have time but I would like to return and tour a coffee plantation and climb the volcano.

The Hotel

We stayed at the Hotel San Rafael. This former home boasts a lush and tranquil inner courtyard with fountains, wide walkways, ample seating areas, excellent food and large elegant rooms and suites. Here are the fountains in the center courtyard and the comfy sitting area outside our room where we spent evenings talking and enjoying cocktails.

This smaller courtyard was behind our room. We could hear the soothing water from our bathroom window.

The Architecture

If you do a search for Antigua, undoubtedly you will find photos of the Arco de Santa Catelina. This archway dates back to the 1600’s and was constructed so that nuns could cross the street without being seen. From a distance, you can see one of the three volcanoes that surround the city.

The city’s spiritual center is the baroque church, Iglesia de la Merced, with its yellow facade. I don’t know if that giant rosary is a permanent fixture but it was a sight to see!

The Iglesia y Convento de la Compañía de Jesús (Church and Convent of the Society of Jesus ) was destroyed by several earthquakes and rebuilt only to be destroyed again. What is interesting about these ruins are the headless saints. Many statues lost their heads after the earthquakes and they could not determine which head went with which statue so they were never replaced.

Convent of the Capuchins

One of the most beautiful and interesting ruins are that of the Iglesia y Convento de las Capuchinas (Convent and Church of Our Lady of Zaragoza) which was consecrated in 1736. I spent a relaxing morning exploring the ruins and gardens of the convent.

After many twists and turns, I found my way to the Edificio Circular (Circular Building), the circular dormitories where the nuns lived.

The nun’s “cells” were approximately 8′ x 10′ and had the most modest accommodations – an arched doorway, what appears to have been a narrow toilet, one or two niches presumably for religious statuary, and a small window.

View of the mountains through the window of a nun’s cell.

Standing inside a cell looking towards the inner courtyard.

The bathing room was located near the circular dormitories.

The sótano (basement) was particularly intriguing. A long flight of stairs led down to a barren circular room. The room is dark with only a couple of windows situated beyond reach letting in natural light.

I heard that the basement was used to punish the nuns by leaving them there for extended periods of time. I don’t know if this is true but it was chilling nonetheless.

Arts and Crafts

As you might imagine, the city was abundant with arts and crafts. There were large warehouse-like stores filled with pottery, textiles, woodwork and more. There were countless smaller stores with beautiful hand crafted items. Everywhere you walked there were peddlers on the streets carrying armfuls of textiles. My favorite were the colorful tote bags made from upcycled huipils.

Colorful Statues

Munecas Mayas

Crochet Baskets

Masks at Nim Po’t Centro de Textiles Tradicionales

With the abundance of textiles, several purveyors displayed the plants from which they made natural dyes such as achiote, cedar, ilamo and wood from the blackberry tree.

Achiote.

Blackberry tree bark.

Cedar chips.

Ilamo tree bark.

Tree bark.

In one courtyard, a woman sat at a back strap loom weaving. I watched for a long time as she methodically wove the multi-colored threads on her loom.

A relaxing and fun weekend after a week of interviews and translating.

Field Study in Guatemala City

June 5, 2018June 5, 2018 | Verónica

The capstone assignment for the MBA program was a team-based global business project. For our project, our client was a private equity firm that invests in companies with growth potential primarily in Latin America. Our charge was to develop a country expansion strategy for one of the companies in their portfolio. To accomplish this, we spent a week in Guatemala conducting a field study. We interviewed key stakeholders – the CEO, CFO, clients, partners, third-party administrators, vendors and others in their supply chain. It was an immersive week where we learned a tremendous amount and were able to apply the concepts learned in our MBA courses.

My husband accompanied me on the trip and we arrived in Guatemala City a day early so that we could take in some of the sights before my busy week began. Here are my impressions of Guatemala City.

First, there’s the foliage. The city is lush and green, and the leaves are huge!

These are the very large leaves of a monstera deliciosa (otherwise known as the swiss cheese plant).

My husband and I stayed at a lovely boutique hotel called La Inmaculada. The ambience, service and food were wonderful. I took these photos in the inner hotel courtyard where we had most of our meals. The rooms were not as fancy as some of the big-name hotels, but they were clean and had everything we could possibly need.

Guatemala is renowned for its coffee – and it was delicious. We drank freshly ground coffee in the courtyard every day. Here, a late-night craving for sweets – a warm latte paired with fried plantain covered with cinnamon and a dab of fresh cream.

We took an excursion to the Mercado de Artesanias La Aurora, a beautiful arts and crafts market next to a rose garden. We practically had the place to ourselves.

Coffee beans growing in the garden.

At the market, we were overwhelmed with colors and textures from all the hand-woven textiles and crafts.

We bought this little hacky-sack turtle for our puppy. It didn’t last long. I managed to get it away from him before he destroyed it. Now the turtle is missing one leg.

We brought home several textiles including these cloths to place in a basket with bread or tortillas.

This queen size textile will serve as a light, cool bedspread during the summer.

One of my favorite parts of travelling is street food, and Guatemala did not disappoint. There were snow cone vendors all over the main plaza in the historic district. I had one with tamarindo and pineapple – yum!

The smell of freshly baked bread permeated the air.

As we walked through the historic district, families outside a church were selling these handmade tamales. I did not resist.

This gentleman was leading his goats through the downtown area. For a few quetzales, you could have a fresh cup of warm goat’s milk.

Dinner consisted of a chicken breast covered in an exquisite cream sauce with loroco – a wild vine of edible flowers. Restaurant: Café Kacao. My husband’s meal was smothered with an anacate cream sauce. Anacates, or chanterelle mushrooms, were in season. One night, I had a traditional mole dish.

You can’t visit a country in Latin America without visiting churches. The baroque Metropolitan Cathedral of Saint James dominates the city center.

That particular Sunday was the feast day of Santo Domingo. My husband and I joined the jubilant procession through the streets.

A few blocks over we passed Rectoria Santa Clara, a Catholic Church in the historic district. Construction of the church was completed in 1734.

The streets had so much character.

During the week, while I was busy with the field study, my husband took a side trip to Santiago Atitlán, one of several Mayan villages surrounding beautiful Lake Atitlán. Lake Atitlán is in the Guatemalan Highlands at an elevation of 5,105 feet (1,556 meters). Three volcanoes are situated around the lake.

(Source)

Part of the reason my husband selected Santiago Atitlán was to visit Cojolya for me. Cojolya is a cooperative of 30 artisans, 25 of whom are women, who weave beautiful and intricate textiles using the traditional back-strap loom. My husband took a photograph of one of the women, descendants of the Mayans, weaving a vibrant textile.

While the women weave on the back-strap loom, the men weave on large foot looms.

My husband said he had a great time talking with the weavers. He also enjoyed the serenity of the town by the lake surrounded by mountains. Being the amazing husband that he is, he brought me back these items he personally selected – a gorgeous scarf hand embroidered with local birds, an intricately woven catch-all bag, and an exquisite blue woven scarf. He bought them straight from the women who created them – what a treat!

I had scheduled this post before I heard the news of the volcano erupting near Guatemala City. My thoughts and prayers go out to the families who lost loved ones.

Politics, history, and the arts through murals

June 21, 2017 | Verónica

Visiting Mexico City means taking in the larger-than-life murals of Diego Rivera. We visited three locations featuring these exquisite frescoes.

The Palacio Nacional (National Palace), which houses the office of the President and other cabinet departments, contains a historical timeline of Mexico as depicted by Rivera. It is difficult to capture the grandeur of these detailed murals of the Mexican civilization. I will share only two murals with you, one showing the indigenous cultures that flourished before the Spanish conquest, and one after.

After the Mexican Revolution Rivera was concerned with two issues, and these determined his artistic themes: the need to offset the contempt with which the conquistadors had viewed the ancient Indian civilizations, and the need to offset the anti-mestizo and anti-Indian attitudes of the European-oriented ruling classes during the porfiriato (the dictatorship of Porfirio Diaz).

The role of the arts was to restore understanding of and pride in the heritage and cultures that the concept of Spanish superiority had subverted . . . early indigenistas [like Rivera] tended to glorify the Indian heritage and vilify that of the Spaniards as a means of rectifying a historical imbalance and advancing certain political ideas” (103). (Source: http://bit.ly/2sBTjbn)

Totonac Civilization

Ruins of the structures depicted can be found at El Tajín, Veracruz. At the Museum of Anthropology, we saw the rings and balls used in the ball courts in the upper left corner of the mural.

The Arrival of Cortés

… he depicts in dramatic fashion the violence and exploitation of the Spanish conquerors. Natives hanging in the background, the branding of the native in the foreground, and the reduction of the indians to slaves and pack horses show the cruelty and savagery of the Conquest.

In the center is La Malinche (Doña Marina), a native woman who became Cortés’ mistress and mother of his child Martín. Malinche knew both the (Aztec) Nahuatl language and Maya, thus enabling Hernán Cortés to communicate in both. She became a very valuable interpreter and counselor. The blue-eyed child staring outward at us represents the mixture of the races. (Source: http://bit.ly/2tubi3n)

At the Palacio de Bellas Artes, a magnificent art deco building that hosts visual and performing artists, is the famous mural, “Man, Controller of the Universe.” This is the recreation of the mural that Rivera painted at the Rockefeller Center and which was destroyed in 1934. It is almost impossible to capture the entire mural given its size and frequent visitors, so I show you the panel that caused the controversy.

Man at the Crossroads

Man at the Crossroads … is a whodunit tale that also illustrates the tensions between art and politics.

… the piece would have been stunning had it survived. He had this vision of the importance of technology in the future and the hope that there would be a coming together of workers and industrialists and businessmen to further mankind in general, … It was a very hopeful mural. (Source: Destroyed by Rockefellers, Mural Trespassed On Political Vision, NPR. http://n.pr/1G1R5Rj)

If you are ever in CDMX and want to get unobstructed views of Rivera’s murals, go to the Ministry of Public Education, a few blocks away from the National Palace. We had the entire grounds practically to ourselves. The building has two large courtyards with Rivera’s murals covering several floors in each.

Attempting to sum up his 235 panel cycle, Rivera later writes that his goal was “to reflect the social life of Mexico as I saw it, and through my vision of the truth to show the masses the outline of the future.” (Source: http://mo.ma/2sBNvia)

While all of the frescoes have their own story, these were my favorite. They depict the daily arts of dyeing and weaving.

Los Tintoreros (The Dyers)

Los Tejedores (The Weavers)

The one mural I have not seen is Sueño de una tarde dominical en la Alameda Central (Dream of a Sunday Afternoon in Alameda Central Park) located at the Museo Mural Diego Rivera. Therefore, I must return to CDMX one day!

From Beginning to End, Popular Mexican Traditions

April 29, 2017April 29, 2017 | Verónica

Working full-time and pursuing an MBA do not leave very much free time. Immediately after the new year, there was a gap of about a week before major assignments were due. We took advantage of this opportunity for a trip to México City, only a two-hour flight from Houston. There was the added benefit that Cornell has a board room of students in México City and I was able to join them for class.

The purpose of the trip was to show our son some of the many treasures of México. We went on a whirlwind tour of murals, pyramids, cathedrals, archaeological ruins, culture and gastronomy. Along the way, my husband and son appeased me by allowing me to look for interesting textile arts.

We could have spent days walking through the vast National Museum of Anthropology. The museum features grand salons for every major period of Mexican history. We made a beeline toward the magnificent Piedra del Sol (Stone of the Sun), which is often incorrectly called the Aztec calendar. The Stone of the Sun is 3 feet deep, almost 12 feet wide and weighs almost 25 tons.

The stone “depicts the five consecutive worlds of the sun from Aztec mythology. …it is an elaborately carved solar disk, which for the Aztecs and other Mesoamerican cultures represented rulership. At the top of the stone is a date glyph (13 reed) which represents both the beginning of the present sun, the 5th and final one according to mythology, and the actual date 1427 CE, thereby legitimizing the rule of Itzcoatl (who took power in that year) and creating a bond between the divine and mankind.

(Source: http://www.ancient.eu/Sun_Stone/)

Textiles

After staring at awe at the massive stone, we wandered through various halls and came across these ancient textiles of the indigenous Nahua.

“Clothing distinguishes the indigenous groups of México and even within one group. Among the Nahuas each subgroup, each region and even each village has its own way of dressing. Each pattern conserves a tradition, each design speaks of knowledge maintained over the centuries, each form represents a way of seeing the world.”

(Source: Museum placard)

Basketry

We saw woven bags and baskets made from hard fibers such as junco, bejuco, palm and carrizo.

Weaving

This is a reproduction of a typical home in the village of Contla in the state of Tlaxcala. According to the museum placard, rustic pedaled looms were installed in any available space.

Crafts

A day at the Saturday Bazaar in San Ángel yielded a wonderful surprise. Since we were there right after Christmas, we saw all the winning entries for the Primer Concurso Nacional, “De Principio a Fin, Tradiciones Populares Mexicanas” (First National Competition, “From Beginning to End, Popular Mexican Traditions”). Themes revolved around the Day of the Dead and Christmas.

Las piezas que se elaboran con motivo de estas festividades, dan cuenta de la compleja concepción de la vida humana y de la constante interacción entre la vida y la muerte dentro de la cultura popular mexicana.

The pieces that are created for these festivities tell the story of the complex idea of life and the constant interaction between life and death within popular mexican culture.

(Source: Event signage. Translations are mine.)

Nacimiento tejido en palma natural maciza y tierna, elaborada con técnica de esfera. 38 piezas.

Nativity woven from natural strong and tender palm constructed with a spherical technique. 38 pieces.

Carro alegórico con ofenda tradicional del Día de muertos, elaborado con fibra de trigo. Tiempo de elaboración: 1 semana

Allegorical vehicle with a traditional offering of the day of the dead, constructed with wheat fibers. Time to produce: 1 week.

“Los animales van a ver el nacimiento”
Tira bordada con hilo de algodón mercerizado con punto fino. Tiempo de elaboración: 4 meses

“The animals go to see the nativity.” Embroidered strip with mercerized cotton thread with a fine point. Time to produce: 4 months.

Nacimiento con bordado fino mazahaua en manta de algodón.

Finely embroidered nativity on cotton cloth in the style of the Mazahaua people.

“La tradición de mi pueblo”
Servilleta elaborada en telar de cintura, con técnica de brocado, tenida con tintes naturales: caracol púrpura y algodón coyuchi verde.

“The tradition of my village.” Napkin woven on a backstrap loom with brocade technique and tinted with natural dyes: purple snails and organic green cotton.”

“Nacimiento tradicional de Cuetzalan del Progreso. Puebla.”
Telar de cintura de algodón azul, bordado de brocado.
Tiempo de elaboración: 1 mes

“Traditional nativity of the city of Cuetzalan del Progreso, Puebla.” Blue cotton on a backstrap loom embroidered in brocade. Time to produce: 1 month