Weaving in the Mayan Tradition

During our trip to Lago Atitlán, I had the opportunity to learn how to weave on a backstrap loom. My instructor, Rosa, was from the Asociación de Mujeres Tejedoras con Tinte Natural Lema’. The women in Lema’ are Tz’utujiles, a Native American Mayan ethnic group. While I was able to communicate in Spanish, most of the women spoke with each other in their native Tz’utujil language.

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The association’s mission is as follows:

We are Tz‘utujiles women. By making these handmade textiles with natural dyes and colors, we are keeping our ancestral Mayan culture and tradition. This association provides work, especially for women, hoping to increase the quality of our living in our village, San Juan la Laguna.

The corner storefront is filled with beautiful handmade textiles. The Mayan motifs and patterns could be found on table runners, scarves, small bags, huipiles, and belts.

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There were sturdy handwoven baskets in simple yet beautiful designs.

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I thought these would make great cosmetic bags.

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I regret not buying this belt. It is incredibly detailed and covered in strawberries.

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In one section of the store, they had samples of the natural cotton used to make yarn.

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Also on display were the plants from which they created natural dyes.

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All of the dyes were made from plants native to the area.

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I signed up for the class one evening and was able to select the colors for the scarf I was going to weave. I selected this deep red made from the crushed seeds of the achiote tree.

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The next morning, the threads had been set up on the loom and several inches had been started. My instructor, Rosa, then strapped the loom onto me until we got the right tension. Then began the rhythmic process of weaving. Lift the green section of threads with the beater – here, a flat piece of wood sanded through use – and throw the shuttle with the yellow thread through the opening. The beater is then turned so it lays flat and pushed down over the threads to line them up tightly. I was mesmerized by how the colors shifted after pulling down on the shed and heddle rods – the two horizontal sticks (second and third from the top). From time to time, I wasn’t able to catch all the threads when I threw the shuttle. Rosa’s capable hands would step in and correct my mistake and show me what I had done. I wove, slowly, for a couple of hours. I finally got into a rhythm and could tell for myself when I had missed a thread. Rosa stepped out for a while but her daughter kept watch over me.

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When Rosa came back, she helped me finish the scarf. It took her 20 minutes to complete the number of inches it had taken me two hours to weave! And here is my scarf – woven on a backstrap loom in the Mayan tradition.

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If you ever venture to Guatemala, Lago Atitlán is a must-stop. Spend a few days going from village to village as each has its own special character. When you go to San Juan La Laguna, stop by Lemá and say hello to Rosa for me. You can find Lemá on Facebook or Instagram or contact them via email at asociacionlema01@gmail.com or phone at (502) 586 68446.

When our trip was over, we took a small motorboat across the lake to another village where our driver would pick us up. That trip across the lake was magical.

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As I rode across the lake,

With the wind blowing back my loose hair,

I closed my eyes and turned my face to the skies.

As the hot sun warmed my face,

I imagined I was an indigenous Mayan woman

Crossing the lake to trade in the neighboring village.

It was as if my own ancestors emerged from my being.

Fermented by the Mayan sun,

My face reflected on the waters of Atitlán

And captured the hopes of the women who came before me.

And I smiled.

I was home.

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Weekend in Antigua, Guatemala

After the week-long MBA Field Study, my husband and I headed over to Antigua, Guatemala for a long weekend. Antigua was originally the capital of Guatemala until an earthquake destroyed it in 1773. This colonial city is surrounded by mountains and volcanoes. The city is full of history, beautiful architecture and ruins, abundant with arts and crafts, and culinary delights. We didn’t have time but I would like to return and tour a coffee plantation and climb the volcano.

The Hotel

We stayed at the Hotel San Rafael. This former home boasts a lush and tranquil inner courtyard with fountains, wide walkways, ample seating areas, excellent food and large elegant rooms and suites. Here are the fountains in the center courtyard and the comfy sitting area outside our room where we spent evenings talking and enjoying cocktails.

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This smaller courtyard was behind our room. We could hear the soothing water from our bathroom window.

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The Architecture

If you do a search for Antigua, undoubtedly you will find photos of the Arco de Santa Catelina. This archway dates back to the 1600’s and was constructed so that nuns could cross the street without being seen. From a distance, you can see one of the three volcanoes that surround the city.

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The city’s spiritual center is the baroque church, Iglesia de la Merced, with its yellow facade. I don’t know if that giant rosary is a permanent fixture but it was a sight to see!

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The Iglesia y Convento de la Compañía de Jesús (Church and Convent of the Society of Jesus ) was destroyed by several earthquakes and rebuilt only to be destroyed again. What is interesting about these ruins are the headless saints. Many statues lost their heads after the earthquakes and they could not determine which head went with which statue so they were never replaced.

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Convent of the Capuchins

One of the most beautiful and interesting ruins are that of the Iglesia y Convento de las Capuchinas (Convent and Church of Our Lady of Zaragoza) which was consecrated in 1736. I spent a relaxing morning exploring the ruins and gardens of the convent.

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After many twists and turns, I found my way to the Edificio Circular (Circular Building), the circular dormitories where the nuns lived.

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The nun’s “cells” were approximately 8′ x 10′ and had the most modest accommodations – an arched doorway, what appears to have been a narrow toilet, one or two niches presumably for religious statuary, and a small window.

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View of the mountains through the window of a nun’s cell.

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Standing inside a cell looking towards the inner courtyard.

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The bathing room was located near the circular dormitories.

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The sótano (basement) was particularly intriguing. A long flight of stairs led down to a barren circular room. The room is dark with only a couple of windows situated beyond reach letting in natural light.

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I heard that the basement was used to punish the nuns by leaving them there for extended periods of time. I don’t know if this is true but it was chilling nonetheless.

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Arts and Crafts

As you might imagine, the city was abundant with arts and crafts. There were large warehouse-like stores filled with pottery, textiles, woodwork and more. There were countless smaller stores with beautiful hand crafted items. Everywhere you walked there were peddlers on the streets carrying armfuls of textiles. My favorite were the colorful tote bags made from upcycled huipils.

With the abundance of textiles, several purveyors displayed the plants from which they made natural dyes such as achiote, cedar, ilamo and wood from the blackberry tree.

In one courtyard, a woman sat at a back strap loom weaving. I watched for a long time as she methodically wove the multi-colored threads on her loom.

A relaxing and fun weekend after a week of interviews and translating.

Field Study in Guatemala City

The capstone assignment for the MBA program was a team-based global business project. For our project, our client was a private equity firm that invests in companies with growth potential primarily in Latin America. Our charge was to develop a country expansion strategy for one of the companies in their portfolio. To accomplish this, we spent a week in Guatemala conducting a field study. We interviewed key stakeholders – the CEO, CFO, clients, partners, third-party administrators, vendors and others in their supply chain. It was an immersive week where we learned a tremendous amount and were able to apply the concepts learned in our MBA courses.

My husband accompanied me on the trip and we arrived in Guatemala City a day early so that we could take in some of the sights before my busy week began. Here are my impressions of Guatemala City.

First, there’s the foliage. The city is lush and green, and the leaves are huge!

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These are the very large leaves of a monstera deliciosa (otherwise known as the swiss cheese plant).

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My husband and I stayed at a lovely boutique hotel called La Inmaculada. The ambience, service and food were wonderful. I took these photos in the inner hotel courtyard where we had most of our meals. The rooms were not as fancy as some of the big-name hotels, but they were clean and had everything we could possibly need.

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Guatemala is renowned for its coffee – and it was delicious. We drank freshly ground coffee in the courtyard every day. Here, a late-night craving for sweets – a warm latte paired with fried plantain covered with cinnamon and a dab of fresh cream.

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We took an excursion to the Mercado de Artesanias La Aurora, a beautiful arts and crafts market next to a rose garden. We practically had the place to ourselves.

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Coffee beans growing in the garden.

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At the market, we were overwhelmed with colors and textures from all the hand-woven textiles and crafts.

 

We bought this little hacky-sack turtle for our puppy. It didn’t last long. I managed to get it away from him before he destroyed it. Now the turtle is missing one leg.

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We brought home several textiles including these cloths to place in a basket with bread or tortillas.

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This queen size textile will serve as a light, cool bedspread during the summer.

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One of my favorite parts of travelling is street food, and Guatemala did not disappoint. There were snow cone vendors all over the main plaza in the historic district. I had one with tamarindo and pineapple – yum!

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The smell of freshly baked bread permeated the air.

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As we walked through the historic district, families outside a church were selling these handmade tamales. I did not resist.

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This gentleman was leading his goats through the downtown area. For a few quetzales, you could have a fresh cup of warm goat’s milk.

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Dinner consisted of a chicken breast covered in an exquisite cream sauce with loroco – a wild vine of edible flowers. Restaurant: Café Kacao. My husband’s meal was smothered with an anacate cream sauce. Anacates, or chanterelle mushrooms, were in season. One night, I had a traditional mole dish.

 

You can’t visit a country in Latin America without visiting churches. The baroque Metropolitan Cathedral of Saint James dominates the city center.

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That particular Sunday was the feast day of Santo Domingo. My husband and I joined the jubilant procession through the streets.

 

 

A few blocks over we passed Rectoria Santa Clara, a Catholic Church in the historic district. Construction of the church was completed in 1734.

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The streets had so much character.

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During the week, while I was busy with the field study, my husband took a side trip to Santiago Atitlán, one of several Mayan villages surrounding beautiful Lake Atitlán. Lake Atitlán is in the Guatemalan Highlands at an elevation of 5,105 feet (1,556 meters). Three volcanoes are situated around the lake.

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(Source)

Part of the reason my husband selected Santiago Atitlán was to visit Cojolya for me. Cojolya is a cooperative of 30 artisans, 25 of whom are women, who weave beautiful and intricate textiles using the traditional back-strap loom. My husband took a photograph of one of the women, descendants of the Mayans, weaving a vibrant textile.

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While the women weave on the back-strap loom, the men weave on large foot looms.

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My husband said he had a great time talking with the weavers. He also enjoyed the serenity of the town by the lake surrounded by mountains. Being the amazing husband that he is, he brought me back these items he personally selected – a gorgeous scarf hand embroidered with local birds, an intricately woven catch-all bag, and an exquisite blue woven scarf. He bought them straight from the women who created them – what a treat!

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I had scheduled this post before I heard the news of the volcano erupting near Guatemala City. My thoughts and prayers go out to the families who lost loved ones.

 

Politics, history, and the arts through murals

Visiting Mexico City means taking in the larger-than-life murals of Diego Rivera. We visited three locations featuring these exquisite frescoes.

The Palacio Nacional (National Palace), which houses the office of the President and other cabinet departments, contains a historical timeline of Mexico as depicted by Rivera. It is difficult to capture the grandeur of these detailed murals of the Mexican civilization. I will share only two murals with you, one showing the indigenous cultures that flourished before the Spanish conquest, and one after.

After the Mexican Revolution Rivera was concerned with two issues, and these determined his artistic themes: the need to offset the contempt with which the conquistadors had viewed the ancient Indian civilizations, and the need to offset the anti-mestizo and anti-Indian attitudes of the European-oriented ruling classes during the porfiriato (the dictatorship of Porfirio Diaz).

The role of the arts was to restore understanding of and pride in the heritage and cultures that the concept of Spanish superiority had subverted . . . early indigenistas [like Rivera] tended to glorify the Indian heritage and vilify that of the Spaniards as a means of rectifying a historical imbalance and advancing certain political ideas” (103). (Source: http://bit.ly/2sBTjbn)

Totonac Civilization

Ruins of the structures depicted can be found at El Tajín, Veracruz. At the Museum of Anthropology, we saw the rings and balls used in the ball courts in the upper left corner of the mural.

The Arrival of Cortés

… he depicts in dramatic fashion the violence and exploitation of the Spanish conquerors. Natives hanging in the background, the branding of the native in the foreground, and the reduction of the indians to slaves and pack horses show the cruelty and savagery of the Conquest.

In the center is La Malinche (Doña Marina), a native woman who became Cortés’ mistress and mother of his child Martín. Malinche knew both the (Aztec) Nahuatl language and Maya, thus enabling Hernán Cortés to communicate in both. She became a very valuable interpreter and counselor. The blue-eyed child staring outward at us represents the mixture of the races. (Source: http://bit.ly/2tubi3n)

At the Palacio de Bellas Artes, a magnificent art deco building that hosts visual and performing artists, is the famous mural, “Man, Controller of the Universe.” This is the recreation of the mural that Rivera painted at the Rockefeller Center and which was destroyed in 1934. It is almost impossible to capture the entire mural given its size and frequent visitors, so I show you the panel that caused the controversy.

Man at the Crossroads

Man at the Crossroads … is a whodunit tale that also illustrates the tensions between art and politics.

… the piece would have been stunning had it survived. He had this vision of the importance of technology in the future and the hope that there would be a coming together of workers and industrialists and businessmen to further mankind in general, … It was a very hopeful mural. (Source: Destroyed by Rockefellers, Mural Trespassed On Political Vision, NPR. http://n.pr/1G1R5Rj)


If you are ever in CDMX and want to get unobstructed views of Rivera’s murals, go to the Ministry of Public Education, a few blocks away from the National Palace. We had the entire grounds practically to ourselves. The building has two large courtyards with Rivera’s murals covering several floors in each.

Attempting to sum up his 235 panel cycle, Rivera later writes that his goal was “to reflect the social life of Mexico as I saw it, and through my vision of the truth to show the masses the outline of the future.” (Source: http://mo.ma/2sBNvia)

While all of the frescoes have their own story, these were my favorite. They depict the daily arts of dyeing and weaving.

Los Tintoreros (The Dyers)


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Los Tejedores (The Weavers)

The one mural I have not seen is Sueño de una tarde dominical en la Alameda Central (Dream of a Sunday Afternoon in Alameda Central Park) located at the Museo Mural Diego Rivera. Therefore, I must return to CDMX one day!

From Beginning to End, Popular Mexican Traditions

Working full-time and pursuing an MBA do not leave very much free time. Immediately after the new year, there was a gap of about a week before major assignments were due. We took advantage of this opportunity for a trip to México City, only a two-hour flight from Houston. There was the added benefit that Cornell has a board room of students in México City and I was able to join them for class.

The purpose of the trip was to show our son some of the many treasures of México. We went on a whirlwind tour of murals, pyramids, cathedrals, archaeological ruins, culture and gastronomy. Along the way, my husband and son appeased me by allowing me to look for interesting textile arts.

We could have spent days walking through the vast National Museum of Anthropology. The museum features grand salons for every major period of Mexican history. We made a beeline toward the magnificent Piedra del Sol (Stone of the Sun), which is often incorrectly called the Aztec calendar. The Stone of the Sun is 3 feet deep, almost 12 feet wide and weighs almost 25 tons.

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The stone “depicts the five consecutive worlds of the sun from Aztec mythology. …it is an elaborately carved solar disk, which for the Aztecs and other Mesoamerican cultures represented rulership. At the top of the stone is a date glyph (13 reed) which represents both the beginning of the present sun, the 5th and final one according to mythology, and the actual date 1427 CE, thereby legitimizing the rule of Itzcoatl (who took power in that year) and creating a bond between the divine and mankind.

(Source: http://www.ancient.eu/Sun_Stone/)

Textiles

After staring at awe at the massive stone, we wandered through various halls and came across these ancient textiles of the indigenous Nahua.

“Clothing distinguishes the indigenous groups of México and even within one group. Among the Nahuas each subgroup, each region and even each village has its own way of dressing. Each pattern conserves a tradition, each design speaks of knowledge maintained over the centuries, each form represents a way of seeing the world.”

(Source: Museum placard)

Basketry

We saw woven bags and baskets made from hard fibers such as junco, bejuco, palm and carrizo.

Weaving

This is a reproduction of a typical home in the village of Contla in the state of Tlaxcala. According to the museum placard, rustic pedaled looms were installed in any available space.

Crafts

A day at the Saturday Bazaar in San Ángel yielded a wonderful surprise. Since we were there right after Christmas, we saw all the winning entries for the Primer Concurso Nacional, “De Principio a Fin, Tradiciones Populares Mexicanas” (First National Competition, “From Beginning to End, Popular Mexican Traditions”). Themes revolved around the Day of the Dead and Christmas.

Las piezas que se elaboran con motivo de estas festividades, dan cuenta de la compleja concepción de la vida humana y de la constante interacción entre la vida y la muerte dentro de la cultura popular mexicana.

The pieces that are created for these festivities tell the story of the complex idea of life and the constant interaction between life and death within popular mexican culture.

(Source: Event signage. Translations are mine.)

Nacimiento tejido en palma natural maciza y tierna, elaborada con técnica de esfera. 38 piezas.

Nativity woven from natural strong and tender palm constructed with a spherical technique. 38 pieces.

Carro alegórico con ofenda tradicional del Día de muertos, elaborado con fibra de trigo. Tiempo de elaboración: 1 semana

Allegorical vehicle with a traditional offering of the day of the dead, constructed with wheat fibers. Time to produce: 1 week.

“Los animales van a ver el nacimiento”
Tira bordada con hilo de algodón mercerizado con punto fino. Tiempo de elaboración: 4 meses

“The animals go to see the nativity.” Embroidered strip with mercerized cotton thread with a fine point. Time to produce: 4 months.

Nacimiento con bordado fino mazahaua en manta de algodón.

Finely embroidered nativity on cotton cloth in the style of the Mazahaua people.

“La tradición de mi pueblo”
Servilleta elaborada en telar de cintura, con técnica de brocado, tenida con tintes naturales: caracol púrpura y algodón coyuchi verde.

“The tradition of my village.” Napkin woven on a backstrap loom with brocade technique and tinted with natural dyes: purple snails and organic green cotton.”

“Nacimiento tradicional de Cuetzalan del Progreso. Puebla.”
Telar de cintura de algodón azul, bordado de brocado.
Tiempo de elaboración: 1 mes

“Traditional nativity of the city of Cuetzalan del Progreso, Puebla.” Blue cotton on a backstrap loom embroidered in brocade. Time to produce: 1 month

Tapiz de Nacimiento Mexicano, elaborado en telar de cintura de algodón con doble alzadera y puntas de flecos.
Tiempo de elaboración: 1 mes

Tapestry of the Mexican Nativity, woven on a backstrap loom out of cotton with fringe. Time to produce: 1 month

These are only a sampling of the many handicrafts we saw during our trip. More to come.

Spring Blooms

For Easter weekend, our family congregated at my sister’s home in San Antonio, Texas. It is a three-hour monotonous drive between Houston and San Antonio on Interstate 10. As I was traveling alone, I decided to make the trip a bit more interesting. I took a detour north on State Highway 71 headed to La Grange, Texas – population just under 5,000 and home of the Texas Quilt Museum.

There were three exhibits on display that were particularly impressive. The first, “Modern Quilt Guild at the Texas Quilt Museum” showcased the guild’s first juried quilt show. Photography is not allowed inside the museum but you can see photos at the Modern Quilt Guild’s blog. Here is one sample.

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Source: MQG Blog

Also on display were the Magna Carta Quilts from the UK. There are a total of eight quilts. According to the Magna Carta Quilt website:

…four Medieval Quilts will tell the story of the Magna Carta in a graphic novel style… The story starts with the death of Richard the Lionheart, which lead to the ascension of his brother John to the throne of England, runs through the events leading up to the sealing of the Magna Carta at Runnymede… The Magna Carta was the first document ever imposed upon a King of England…by a group of his subjects, the feudal barons, in an attempt to limit his powers by law and protect their rights. The four Legacy Quilts…will be the shields of the 25 feudal barons who drew up the terms of the Magna Carta…

The detail of these quilts was mind-boggling. The figures depicted all had singular expressions, carried different items in their hands and wore varied medieval clothing according to their rank.

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Medieval Quilt IV (Source: Magna Carta Quilt)

The third exhibit of note was called “Wild Fabrications” sponsored by the Studio Art Quilt Associates (SAQA). You can view the entire exhibit online at the SAQA website in a slide show format. I highly recommend viewing it in full screen mode. My favorite was the polar bear.

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Now You See Him by Cat Larrea (Source: SAQA)

Wild Fabrications celebrates a world of animals both real and fantastical. The theme not only lends itself particularly to bold colors and whimsical imagery, but also to beautiful realism, and humor that can be ebullient or dark.

On the exterior side wall of the building that houses The Quilt Museum is this stunning mural that depicts traditional 19th century quilts.

Quilt Museum Exterior

The mural serves as a backdrop to Grandmother’s Flower Garden.

Many quilt makers…are also gardeners, and many quilt patterns were inspired by flowers, plants, trees, and nature in general. We named the garden for a beloved Depression-era quilt pattern, “Grandmother’s Flower Garden.”

Grandmother's Flower Garden 1

Grandmother's Flower Garden 2

Grandmother's Flower Garden 3

And if that isn’t enough to tempt you to visit, next door to The Quilt Museum is a fabric and YARN store called The Quilted Skein.

The Quilted Skein

There were four rooms of fabrics in all colors and patterns. And WALLS OF YARN.

The Quilted Skein - Yarn Wall

The staff was busily climbing ladders to hang up beautiful new quilt displays. They were having a good time making sure no one toppled off ladders and took time to assist me as I perused the yarn and picked out some fabric squares.

The Quilted Skein - Sock Yarn

It was time to get back on I-10 and continue my trip to San Antonio. From La Grange, I took a leisurely drive on Farm to Market Road 609. The countryside was littered with bluebonnets and indian paintbrushes – picture-perfect scenery.

Bluebonnets on FM 609

Indian Paintbrushes on FM 609

Back on I-10, I made another stop in Seguin, Texas, the pecan capital of the world – so-called because of the large production of pecans in the area. Seguin has a quaint downtown historic district listed in the National Register of Historic Places. My destination was You’re So Crafty, a crafts store for making pottery, painting, beadwork, knitting and spinning. One could spend weeks here and not run out of crafty things to do.

You're So Crafty - Spinning Tools

This display was full of yarn spun from locally produced fibers. These skeins are from Windmill Crest Farms, a small alpaca farm of about 50 animals located in Seguin.

You're So Crafty Local Yarn

Content with the day’s discoveries, it was time to make the rest of the trip to my sister’s house. Both my brothers from back home and my mom and aunt were there, plus some neighbors. Between all of us, there were 25+ kids and adults hitting piñatas and cracking cascarones on each others’ heads – brightly colored confetti everywhere! After the meal, the older kids (teens and college students) gathered at the dining room table for a fierce game of Monopoly. As my siblings and I sat outside, we reminisced about how once upon a time, it was us running around the yard and competing at board games. Now we sat around comparing what medications and maladies we had in common. We had good laughs and good food surrounded by family. It was a glorious weekend full of spring blooms.

Rosebank Roof Market

On the only Sunday morning in Johannesburg, we walked over to the rooftop of Rosebank Mall where we were greeted with a huge market. What a delight! The spice table was our favorite. We were able to sample quite a few of the combinations. The Biltong Spice in the back was scrumptious! It is rubbed on raw meat so that the flavors soak in as it dries. (Biltong is a dried, cured meat similar to beef jerky).

Rosebank Roof Market Spices

There were handicrafts and souvenirs everywhere – an explosion of color! Loved the fabrics used on these cuff bracelets. There was quite a bit of beadwork such as shown on the coasters. The colorful giraffes are from a painting.

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Amongst the handmade items, were these adorable knitted stuffed gnu and other “wildlife.”

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Gogo Olive was born in Zimbabwe to empower local women – each product is lovingly handmade and is as individual and cheerful as the lady who knitted it! Hope (v.): to trust or believe. Knit (n.): to join or be joined together closely.

These farm-friendly animals are shaped with strong wire and then beaded. Love the sheep! Unfortunately, he did not fit in my suitcase.

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These baskets are woven from telephone wire. They are so colorful and the swirls are mesmerizing.

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There were various fabrics ranging from bright and bold geometric patterns to the more modern interpretations below. (That second set of fabrics is from the Neighbourgoods Market).

Traditional colors and patterns.

A modern twist to fabric designs.

I enjoyed absorbing all the colors and smells of the market. If you ever make it to South Africa, I highly recommend the Rosebank Sunday Market.

College, a President and Needlepoint

During the Winter break, my son and I went to visit colleges. It was sort of a Mother-Son trip. We hung out, talked, tried new restaurants, and toured the campus. It was nice having that one-on-one time with my 17-year old. Soon enough he will be gone from home and I cherish these moments together.

While visiting the campus of Texas A&M University, we stopped at the George Bush Presidential Library and Museum. A long time ago, when I worked on the Hill, I came within a few yards of then President Bush (the elder, not “W”). Visiting the museum gave me a deeper appreciation of him. The museum chronicles his time in the service, how he was married with a baby during college, and his rise in politics. Coincidentally, while we were visiting the museum, he was hospitalized in Houston; and more recently, he and Barbara Bush celebrated their 70th wedding anniversary! Regardless of your politics, that is impressive. He even tweeted about this milestone – so sweet!

As interesting as all the artifacts and exhibits of his life were, my attention was diverted by several yarn-related installations. Much to my son’s chagrin, I spent a considerable amount of time admiring and photographing these adorable yarn houses and an amazing Noah’s Ark and Nativity Scene done in needlepoint. They were stitched by the Saintly Stitchers from Saint Martin’s Episcopal Church in Houston, Texas. The Nativity Scene was presented to the President and Mrs. Bush in 1989, and the Noah’s Ark was presented to them in 1991 along with needlepoint ornaments for the White House Christmas tree.

I highly recommend clicking on any photo below to view larger images. That way you can see the detail of the needlepoint. So much care went into each figure. All in all, it was a wonderful trip with my boy.

In the Family

Everyone tells me that my niece, Victoria, looks like me. It makes me feel very proud especially since I do not have a girl of my own. So it brought me immense pleasure when I discovered that my niece likes to knit! She knit a scarf sometime in her teens. My brother sent me pictures of her with her needles. This first semester in college, she decided to learn how to crochet. She asked me if I could take her to buy some yarn and a crochet hook so that she could try to crochet a stuffed animal for a charity auction at her college. Of course, there was no need to go to the store, we just dug into my stash! She found a pattern and crochet instructions on YouTube. Twenty-four hours later, she had made this:

Amigurumi Bear by Victoria

She then remembered that my mother said she wanted a headband with a flower on it for her hair. So off Victoria went to crochet a headband just like my mom had requested.

Crochet Headband by Victoria

She would sit with me in the evenings with a hook in her hand and yarn on her lap while she meticulously worked on the headband. It will be her Christmas gift to her grandmother.

Crochet Flower by Victoria

I am so pleased that the arts of knitting and crochet still appeal to young ladies like my niece. It’s wonderful to keep the tradition in the family.