Botanical Dyes and Motifs in the Textiles of Lago Atitlán

This past April, my husband and I enjoyed a long weekend along the banks of Lago Atitlán in Guatemala. Getting there from Guatemala City was a 5-hour, bumpy and circuitous ride up the mountains. When we arrived, it was almost dark, and the fog obscured a full view, but what I could see was beautiful. The lake seemed to go on forever.

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(Source)

Lago Atitlán was once called “the most beautiful lake in the world” by German explorer and naturalist Alexander von Humboldt. Lago Atitlán is the deepest lake in Central America at 1,049 feet (320 meters) deep and is approximately 12 kilometers long. It is surrounded by villages whose inhabitants are Tz’utujil, an ethnic group of the Maya civilization.

The vegetation is lush and abundant with fruit trees and flowering greenery. Coffee beans grow along the mountainsides and locals work at harvesting them for exporting.

They say that this mountain top resembles the face of a Maya ancestor.

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The villages each have their own personalities. We stayed at San Pedro La Laguna which draws backpackers from all over the world. The streets along the banks of the river are dotted with bars and hostels catering to youthful travelers. We stayed in a one-bedroom apartment in the home of an English teacher, a short walk from restaurants and coffee bars but far enough away from the noise. My goal was to visit San Juan La Laguna, a neighboring village known for its cooperatives of women weavers. For 10 quetzales, we took a dusty 10-minute tuk-tuk ride to get there. Our first stop was at the Asociación de Mujeres en Colores Botánico. According to their brochure:

We are a multigenerational collective of 48 women weavers from San Juan La Laguna. We work together to support each other and our families through the sales of our traditionally crafted textiles since 1971.

We met Cristina, a member of the cooperative, who explained the spinning and dying process. The textiles are woven out of locally grown white and brown cotton.

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The cotton is picked, cleaned and hand spun with a support spindle and bowl, as demonstrated by Cristina.

Cristina then explained each of the natural dyes used to add color. All of the dyes are extracted from flora that grows around Lago Atitlán.

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To obtain shades of red, they crush the seeds from the pods of the achiote tree (scientific name: Bixa orellana). The pulverized seeds are heated in water to produce rich reds.

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I was surprised to learn that the avocado seed produces a dye. The seed is dried and left until it begins to disintegrate. It is then ground and boiled to release a green dye.

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The buds and seed pods of the pericon plant (scientific name: Hypericum perforatum) produce green and yellow colors. The plant is native to Mexico and Guatemala and grows wild in previously cultivated land or near milpas.

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The bark of the ilamo (a type of birch tree) produces red and yellow dyes, from the outer and inner bark, respectively.

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Flor de Muerto (or Mexican Marigold) is used for yellow dyes.

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Sacatinta (scientific name: Justicia tinctorea) produces dyes of various shades, hence its common name (“saca” from the verb “sacar” meaning to remove or take out; “tinta” for dye). According to Cristina, you can get as many as five hues from one pot of sacatinta.

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We watched as the skein of cotton yarn began to turn a deep purple upon oxygenation.

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To remember our visit, we selected this textile dyed with indigo. It is meant to be a wrap although we plan to use it as a decorative element at the end of a bed.

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Cristina explained the motifs on the textile. The milpa (or maize field) is an ancient agricultural method of the Maya. Areas of land are cultivated to grow corn and other crops. After a couple of years of harvest, the ground is left fallow to regenerate itself. Typically, women use the back strap loom to weave while men use a larger foot-pedal loom. The figure of a woman, or ixoq in the Tz’utujil language, is a recurring motif.

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The árbol de ilamo, used so frequently for its dyes, is represented.

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The next motif represents a freshwater crab found in Lago Atitlán, followed by a fish.

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The last motif in this textile is of Tikal, a pre-Columbian city from the Maya civilization.

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To learn more, we brought home this book about the botanical dyes of the region. It is organized in three major sections covering natural dyes from trees, fruits and plants. Each section contains recipes for creating the natural dyes and examples of the colors that each produces.

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You can find the Asociación de Mujeres en Colores Botánico on Facebook (@ColoresBotanico).

The Best Birthday

Last year, in the middle of my graduate program, I needed a break. Luckily for me, Houston Fiber Fest was taking place over my birthday weekend. Perfect.

After the initial sensory overload of walking into a large space full of yarn, I started exploring. I was drawn to the sheen and colors of the yarns at one particular booth and was delighted to learn that they used only natural dyes. Wool Tree Yarn is a line of naturally dyed yarn made by fiber artist Casey Galloway and sold exclusively through Lucky Ewe Yarn in New Braunfels, Texas. They had an interesting logo – a small lamb growing out of a plant – and explained its significance.

Wool Tree Yarn Logo

The Wool Tree logo is based on a lithograph from medieval Europe. During the late medieval period, cotton became an imported fiber in northern Europe. Without any knowledge of how it was derived, other than that it was a plant; noting its similarities to wool, people in the region could only imagine that cotton must be produced by plant-borne sheep. John Mandeville, writing in 1350, stated that “There grew a wonderful tree which bore tiny lambs on the ends of its branches. These branches were so pliable that they bent down to allow the lambs to feed when they are hungry.” This image is retained in the name for cotton in many European languages, such as German Baumwolle, which translates as “tree wool” (Baum means “tree”; Wolle means “wool”).

I loved this super bulky wool cord at the Independence Farmstead Fibers booth. They had samples of gorgeous tapestries made from it. The fiber mill is located just outside Brenham, Texas. According to their website:

Our fibers are traceable – each labeled with a known “Pasture of Origin”- providing a strong sense of place for the handcraft artist.

There were countless booths tempting me with their beauties.

A booth from True Vineyard Ministries out of San Marcos, Texas, caught my attention with its colorful fabric yarns. True Vineyard Ministries provides “holistic support to Africa’s poorest through job creation, community building, and spiritual counsel.” Through the Handspun Hope initiative, women hand spin and dye yarn from the wool of local Merino sheep. While they had soft balls of Merino yarn, I could not resist these balls made from cotton fabric. Those colors!

And here are my purchases. The ball of 100% Cotton fabric in the upper left corner is from Handspun Hope (~30 yards). The regal purple skein is called Bevy of Swans by Alisha Goes Around, 435 yards of 50% silk, 50% Superwash Merino in a fingering weight. The blue/orange skein on the far left is a fingering weight 75% Superwash Merino, 25% Nylon from Kyla’s Lab (463 yards). The two center skeins in soft carmine hues from the cochineal insect are by Wool Tree Yarn (70% Superwash Merino, 30% Silk, 438 yards each). The skein across the bottom is a single ply 70% Superwash Merino, 30% Silk from Barn Owl Yarns. I bought it for the color – Monkey Business (400 yards).

Waves of yarn.

Close ups.

It was a great birthday getaway.

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(Source: HoustonFiberFest.com)

All-Nighters and Second-Hand Yarn

It’s hard to grasp that I am almost halfway through my Executive MBA program. The last eight months have flown by or perhaps I didn’t notice the time passing. The days are filled with meetings that need to be attended, decisions that need to be made and people who need to be met. Nighttime is school time. At this stage of life, I am once again pulling all-nighters. And like those college days, the next day feels euphoric as if I just climbed a mountain or won a marathon. Then comes the crash on or about mid-afternoon of the third day.

There have been the moments of wondering why I chose to do this to myself. There have been stretches of dread trying to figure out if I should fail to reject the null hypothesis and whether the price of a good causes a movement along the demand curve or shifts it entirely, either to the left or to the right.

Having survived the “quants,” we are now in the midst of courses about launching and leading business ventures. I have learned a tremendous amount and despite those twinges of regret that usually come between 3 and 5 in the morning, I am so glad I am doing this. The academic learning challenges me and keeps me sharp and the case studies and classroom discussions round out my experience. Plus, I now have approximately 180 new friends from all walks of life and careers all the way from Edmonton, Alberta, Canada to Santiago, Chile and from the west to east coasts of the United States.

We recently had our second residency on the Cornell campus. Between work, school, family and the occasional nap, my time is consumed. But such is my passion for yarn that I arrived one day early in Ithaca so that I could visit the local hipster yarn spots. If you read my last Ithaca post, you may recall that the yarn shop closest to campus was closed. This time, I made it there twice in one week … in the snow.

I learned that Homespun Boutique has been an Ithaca gem for over 40 years. Every surface is covered with all types of wool, both spun and unspun, and many other fibers. Upon entering, a cardboard cutout sheep displaying lovely balls of yarn greets you.

There are baskets and bins neatly arranged on almost every square meter of floor, like these skeins of organic wool in various weights.

I found a whole shelf of earthy pure Alpaca undyed to showcase its natural hues.

My favorite was the lo-cal yarn – fewer calories, less fat, and tastes great! The Looney Tunis label is for the wool from a flock of tunis sheep located on a farm in nearby Spencer, NY.

Then there were these swoon-worthy displays and the ubiquitous wall of yarn.

Not to be outdone, the other half of the shop was filled with bolts of fabrics grouped by shades of red, yellow and green and all the other colors of the rainbow.

The shop’s only drawback was that it did not have a space for wool-gathering. If they moved a few fabric displays to a back room, they could easily fit in a table and some comfy chairs, and perhaps even an espresso machine for those chilly Ithaca winters.

Homespun Boutique is located on one end of Ithaca Commons, a 4-block pedestrian shopping area flanked by boutiques, restaurants and second-hand stores. At the opposite end of the Commons is SewGreen, a non-profit focused on upcycling fabrics and yarn. Very cool.

Because it relies on donations for its inventory, you never know what treasures you will find at SewGreen. They had cubbies full of yarn, cones of thread, knitting patterns, vintage hooks and needles, embroidery hoops and buttons.

Most of the space was devoted to fabrics. Someone had recently donated several yards of fabric with various bird designs which covered an entire display table.

SewGreen has a boutique of gently used Eileen Fisher clothing. The staff will carefully mend any flaws and the items are cleaned and steamed before being put out for sale. I love their tagline – “We Make ReUse Beautiful.”

My visits to both stores resulted in the following souvenirs: 2 skeins of Zen Serenity Silk Singles in two colorways; 1.5 yards of the red, teal, and yellow fabric; some vintage straight knitting needles; and a few fat quarters.

Now back to studying.

Back when I used to knit socks…

Some time before starting graduate school, I had time to knit socks.

Guy Sock in progress

This yarn came from Knitty City on New York’s upper west side between Amsterdam and Broadway. The place is long and deep and has a huge selection of yarn, all neatly arranged in cubbies and baskets.

Knitty City - NYC
208 West 79th St., New York, NY 10024, pearl@knittycity.com, 212-787-5896

Knitty City - Yarn Cubbies

It was a bit narrow (like so many little shops in the city) but that did not deter a table full of knitters from hanging out and gossiping about everyone and everything!

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As has become my habit of late, I spent most of the time perusing the sock yarns. That bottom cubby was brimming with Alpaca Sox.

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These were to be guy socks but I still wanted them to have pops of color. The yarn is Schachenmayr Regia Design Line by Arne & Carlos  (75% Virgin Wool, 25% Polyamide). I think I used two 230 yard, 50 gram balls for a pair of calf-length socks. To make the yarn go farther, the heels and toes are knit in a solid black from my stash.

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These socks are very cushiony. They make a nice sporty pair to wear with sneakers or boots. The pattern is a simple K3, P1 ribbing that is way less boring than K1, P1. The full pattern can be found here.

Guy Socks - Completed

Guy Socks - Close-up

The next pair was all for me.

Confetti Sock in progress

This is the yarn I bought at Gauge during a trip to Austin, Texas. It’s Lane Cervinia’s Forever Sock Yarn (75% Superwash Wool, 25% Polyamide). It took two 230 yard, 50 gram skeins to make the pair.

Confetti Sock in progress - close-up

I loved the bright colors! They reminded me of the confetti in Easter eggs so I call these my “confetti socks.” For the pattern, I used Jaywalker by Grumperina.

1st Confetti Sock Completed

The chevron pattern is simple and complements the self-striping colors of the yarn. The color way for these socks is #72 – pink, yellow, turquoise.

Pair of Confetti Socks

Here’s the second sock on top of my stack of textbooks.

Confetti Sock - another view

My fingers are itching to cast on a new pair but multiple regression tables and p-values await.

Next stop on the F Line – Bergen Street, Brooklyn

My search for local yarn stores in the big apple continued but this time, I decided to venture off the island and check out the shops in Brooklyn. I popped out of the subway to lively streets with pedestrians enjoying the warm day.

The first shop on my list was La Casita Yarn Shop (“little house” in Spanish) which besides serving up yarn, also served coffee and pastries. It was also selected as one of the best 5 knitting stores in New York by CBS NY. Unfortunately, when I walked up to the door, it was closed 🙁. The note read something about enjoying the outdoors over the long weekend. From peeking through the window, I knew I would return on a future trip. Alas, I later found out that the shop closed permanently sometime during the summer. They even had a farewell party on July 1st! Even though I never shopped there, it made me sad that a yarn shop closed. 😢

La Casita, Brooklyn (closed permanently)

Given my bad luck in finding several stores closed during my trip I called ahead to my next destination and was relieved when a friendly voice answered. Argyle Yarn Shop is a few blocks from the southwest corner of Prospect Park. If I’d had more time, I would have liked to walk through the park and see the botanical gardens or even the zoo.

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288 Prospect Park West, Brooklyn, NY 11215, Info@argyleyarnshop.com, T: 347.227.7799
The shop was bright and roomy and I was warmly greeted by the staff. They had the wall of cubbies full of yarn and baskets and displays everywhere. A large table and comfy chairs welcomed knitters and crocheters.
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I was lucky in that they were having a 20% off sale on sock yarn! And even though I had absolutely no business buying more yarn, I took home this skein of Heritage Wave by Cascade Yarns (75% Superwash Merino Wool / 25% Nylon).

Argyle Yarn Shop - Sock Yarn

They also had a basket of other sale yarns where I found these two lovely MadelineTosh A.S.A.P. super bulky skeins in gorgeous fall colors (100% Superwash Merino Wool). Really, could you have resisted?

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As I left, I smiled at their yarn egg display. Imagine sitting in a nest full of yarn!

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