The Best Birthday

July 23, 2018 | Verónica

Last year, in the middle of my graduate program, I needed a break. Luckily for me, Houston Fiber Fest was taking place over my birthday weekend. Perfect.

After the initial sensory overload of walking into a large space full of yarn, I started exploring. I was drawn to the sheen and colors of the yarns at one particular booth and was delighted to learn that they used only natural dyes. Wool Tree Yarn is a line of naturally dyed yarn made by fiber artist Casey Galloway and sold exclusively through Lucky Ewe Yarn in New Braunfels, Texas. They had an interesting logo – a small lamb growing out of a plant – and explained its significance.

The Wool Tree logo is based on a lithograph from medieval Europe. During the late medieval period, cotton became an imported fiber in northern Europe. Without any knowledge of how it was derived, other than that it was a plant; noting its similarities to wool, people in the region could only imagine that cotton must be produced by plant-borne sheep. John Mandeville, writing in 1350, stated that “There grew a wonderful tree which bore tiny lambs on the ends of its branches. These branches were so pliable that they bent down to allow the lambs to feed when they are hungry.” This image is retained in the name for cotton in many European languages, such as German Baumwolle, which translates as “tree wool” (Baum means “tree”; Wolle means “wool”).

I loved this super bulky wool cord at the Independence Farmstead Fibers booth. They had samples of gorgeous tapestries made from it. The fiber mill is located just outside Brenham, Texas. According to their website:

Our fibers are traceable – each labeled with a known “Pasture of Origin”- providing a strong sense of place for the handcraft artist.

There were countless booths tempting me with their beauties.

A booth from True Vineyard Ministries out of San Marcos, Texas, caught my attention with its colorful fabric yarns. True Vineyard Ministries provides “holistic support to Africa’s poorest through job creation, community building, and spiritual counsel.” Through the Handspun Hope initiative, women hand spin and dye yarn from the wool of local Merino sheep. While they had soft balls of Merino yarn, I could not resist these balls made from cotton fabric. Those colors!

And here are my purchases. The ball of 100% Cotton fabric in the upper left corner is from Handspun Hope (~30 yards). The regal purple skein is called Bevy of Swans by Alisha Goes Around, 435 yards of 50% silk, 50% Superwash Merino in a fingering weight. The blue/orange skein on the far left is a fingering weight 75% Superwash Merino, 25% Nylon from Kyla’s Lab (463 yards). The two center skeins in soft carmine hues from the cochineal insect are by Wool Tree Yarn (70% Superwash Merino, 30% Silk, 438 yards each). The skein across the bottom is a single ply 70% Superwash Merino, 30% Silk from Barn Owl Yarns. I bought it for the color – Monkey Business (400 yards).

Waves of yarn.

Close ups.

It was a great birthday getaway.

(Source: HoustonFiberFest.com)

Weekend in Antigua, Guatemala

June 17, 2018June 17, 2018 | Verónica

After the week-long MBA Field Study, my husband and I headed over to Antigua, Guatemala for a long weekend. Antigua was originally the capital of Guatemala until an earthquake destroyed it in 1773. This colonial city is surrounded by mountains and volcanoes. The city is full of history, beautiful architecture and ruins, abundant with arts and crafts, and culinary delights. We didn’t have time but I would like to return and tour a coffee plantation and climb the volcano.

The Hotel

We stayed at the Hotel San Rafael. This former home boasts a lush and tranquil inner courtyard with fountains, wide walkways, ample seating areas, excellent food and large elegant rooms and suites. Here are the fountains in the center courtyard and the comfy sitting area outside our room where we spent evenings talking and enjoying cocktails.

This smaller courtyard was behind our room. We could hear the soothing water from our bathroom window.

The Architecture

If you do a search for Antigua, undoubtedly you will find photos of the Arco de Santa Catelina. This archway dates back to the 1600’s and was constructed so that nuns could cross the street without being seen. From a distance, you can see one of the three volcanoes that surround the city.

The city’s spiritual center is the baroque church, Iglesia de la Merced, with its yellow facade. I don’t know if that giant rosary is a permanent fixture but it was a sight to see!

The Iglesia y Convento de la Compañía de Jesús (Church and Convent of the Society of Jesus ) was destroyed by several earthquakes and rebuilt only to be destroyed again. What is interesting about these ruins are the headless saints. Many statues lost their heads after the earthquakes and they could not determine which head went with which statue so they were never replaced.

Convent of the Capuchins

One of the most beautiful and interesting ruins are that of the Iglesia y Convento de las Capuchinas (Convent and Church of Our Lady of Zaragoza) which was consecrated in 1736. I spent a relaxing morning exploring the ruins and gardens of the convent.

After many twists and turns, I found my way to the Edificio Circular (Circular Building), the circular dormitories where the nuns lived.

The nun’s “cells” were approximately 8′ x 10′ and had the most modest accommodations – an arched doorway, what appears to have been a narrow toilet, one or two niches presumably for religious statuary, and a small window.

View of the mountains through the window of a nun’s cell.

Standing inside a cell looking towards the inner courtyard.

The bathing room was located near the circular dormitories.

The sótano (basement) was particularly intriguing. A long flight of stairs led down to a barren circular room. The room is dark with only a couple of windows situated beyond reach letting in natural light.

I heard that the basement was used to punish the nuns by leaving them there for extended periods of time. I don’t know if this is true but it was chilling nonetheless.

Arts and Crafts

As you might imagine, the city was abundant with arts and crafts. There were large warehouse-like stores filled with pottery, textiles, woodwork and more. There were countless smaller stores with beautiful hand crafted items. Everywhere you walked there were peddlers on the streets carrying armfuls of textiles. My favorite were the colorful tote bags made from upcycled huipils.

Colorful Statues

Munecas Mayas

Crochet Baskets

Masks at Nim Po’t Centro de Textiles Tradicionales

With the abundance of textiles, several purveyors displayed the plants from which they made natural dyes such as achiote, cedar, ilamo and wood from the blackberry tree.

Achiote.

Blackberry tree bark.

Cedar chips.

Ilamo tree bark.

Tree bark.

In one courtyard, a woman sat at a back strap loom weaving. I watched for a long time as she methodically wove the multi-colored threads on her loom.

A relaxing and fun weekend after a week of interviews and translating.

Hey, Kool-Aid! Oh, Yeah!!

May 20, 2012 | Verónica

A chronicle of my first adventures in dyeing my hand-spun yarn.

Solid Color

YARN: 45 yards of Mohair (2 oz)

DYE: 3 packets of Blastin’ Berry Cherry Kool-Aid

NOTE: This flavor Kool-Aid dyes a very strong, vibrant color. 1 packet may have been sufficient.

Step 1 – Gently wash your yarn in warm sudsy water. Do not agitate. Soak for 30 minutes.

Step 2 – Gather your equipment – crock pot, gloves, plastic utensil, Kool-Aid packets – and prep the color by stirring in Kool-Aid packets into the water.

Step 3 – Rinse yarn gently of all the soap and drop the yarn in the colored water. Make sure there is enough water to cover the yarn. Patiently allow the water to just reach boiling point. (If using a crock pot as I did, you will need a lot of patience). Allow to simmer for 30 minutes.

Step 4 – Remove pot from heat and allow to cool. Add more patience. Once cooled, rinse in same temperature water. Gently squeeze out excess water – do not wring.

Step 5 – Hang to dry. I used these 99¢ plastic shower hooks from which to hang the yarn. This was to avoid getting rust on the yarn from the plant hooks outside.

Step 6 – Once dry, wrap your hank of yarn. Step back and admire your work.

Variegated Colors

YARN: 82 yards of Angora Wool (4 oz.)

DYE: 3 packets of Lemonade, 1 packet of Pink Lemonade, & 1 packet of Blastin’ Berry Cherry Kool-Aid

NOTE: Add more Lemonade and Pink Lemonade if you prefer stronger yellows and pinks. To get more of the orange, allow a slight mixing of the Blastin’ Berry Cherry and Lemonade.

Steps 1 & 2 – Repeat as for solid color dyeing.

Step 3 – Place yarn in warm water. Dissolve same color Kool-Aid in a small amount of water and pour on each side of the container. Do not stir or agitate the water in order to keep the colors separate. I poured the Blastin’ Berry Cherry on one end, the Pink Lemonade on the opposite end, and the Lemonade in the middle.

Step 4 – Repeat as for solid color dyeing. This is what mine looked like out of the water.

Step 5 – Repeat as for solid color dyeing.

Step 6 – Repeat as for solid color dyeing.

References

Out of the dozens I read or watched on YouTube, I found these two how-to articles to be straightforward and helpful: Dyeing Wool with Kool-Aid – Immersion Method and Dyed in the Wool.