Mostly to release tension during my MBA program, I started knitting a scarf. It took a long time because I only worked on it in short spurts. But the motion of the needles and the fusion of the colors gave me something to focus on besides case studies on Starbucks and Amazon.
I found this amazing free pattern called Born Trippy on the Hedgehog Fibres site. I liked that the samples used all sorts of funky color combinations and it had cool uneven edges. I started with a lovely skein I had gotten at Homespun Boutique during one of my MBA residencies in Ithaca. This is Serenity Silk Single, a fingering weight yarn from Zen Yarn Garden: 430 yards, 75% Superwash Merino / 15% Cashmere / 10% Silk in Fr. Vanilla Blurple (bottom ball).
Then I went through my stash and looked for complementary and contrasting colors. This is what I came up with:
Leftover yarn from Copenhagen (the shimmery solid blue and gray): Duo Silk/Merino from Design Club DK, 65% Merino Wool / 35% Silk.
A partial skein of Fine Sock yarn (the minty blue-green): Spud & Chloe, 80% Superwash Wool / 20% Silk in Color 7806 / Calypso.
Another purchase from Homespun Boutique (yellow/green variegated): Ty-Dy Socks from KNIT ONE, Crochet Too, 436 yards, 80% Superwash Wool / 20% Nylon.
Here’s a close-up of the Ty-Dy ball.
As I made progress on the scarf, I introduced the variegated yellows and greens, the solid blue and gray, and the minty blue-green. It all flowed nicely and those uneven ends were easy to make.
It’s important to block this piece so that the ends are nice and sharp.
Here is the FO (finished object) with its refreshing colors in the sun.
Someone wanted to hang out with me while I took the photos.
I am very pleased with the fusion of the colors.
The combination of wool, cashmere and silk give the scarf a lovely drape.
This is a great pattern to use when you have a single skein and leftover yarns in the same weight. You can repurpose those bits and pieces and make something beautiful.
Our trip to CDMX (Ciudad de México or Mexico City) was packed with visits to historic archaeological sites, museums, street festivals, and restaurants serving the most delicious food. These photos do not do justice to the sights, sounds, and smells of the city but they will give you a glimpse of the amazing CDMX.
The Great Temple was the Mexica sacred space par excellence. The most important rituals were enacted here, including those dedicated to their gods, the naming of their leaders, and the funerals of the nobility. The Mexica architects designed the Great Temple as the center for their model of the universe, where the horizontal plane converged with the vertical plane. (Source: Site placard).
Frida Kahlo’s blue house is located in the neighborhood of Coyoacán. The word means roughly “place of the coyotes” in náhuatl, an Aztec language still spoken today. The neighborhood is vibrant. Walking along the shady streets, we came across this brightly decorated altar to the Virgen de Guadalupe.
Our destination was La Casa Azul, the home that Frida Kahlo was born and died in. A hand painted sign tells visitors that Frida y Diego vivieron en esta casa 1929-1954 (Frida and Diego lived in this house 1929-1954).
Frida’s studio still has her collection of paint bottles and brushes.
A special exhibit called Los Vestidos de Frida Kahlo (The Dresses of Frida Kahlo) displayed the artist’s clothing, jewelry and footwear. Also on display were the tight corsets she wore as a result of a childhood accident that left her with a lifetime of pain.
“My painting carries with it the message of pain.” – Frida Kahlo.
The exhibition takes its title from an artwork by Frida Kahlo of the same title – Las Apariencias Engañan (Appearances can be Deceiving) – where Kahlo portrays herself in manner of an X-Ray, revealing her dramatic disabilities concealed beneath the layers. (Source: http://bit.ly/2s0j0lC)
Giant paper mâché figures are located throughout the house and courtyards.
Leon Trotsky’s house is a ten minute walk from La Casa Azul. The home is simple and the grounds peaceful although the guard towers and bullet holes in the walls tell another story.
Trotsky’s desk still has the items he used on a daily basis – his spectacles, papers and ink bottles.
The Mercado de Coyoacán is a typical Mexican market with all kinds of touristy items on sale including pottery, traditional dresses, puppets, t-shirts and the like. The market also carries an abundance of fresh fruit, meats and spices. Walking along all the circuitous aisles I finally spotted yarn. I didn’t buy any but it was nice to see and touch.
City of Teotihuacán
The holy city of Teotihuacan (‘the place where the gods were created’) is situated some 50 km north-east of Mexico City. Built between the 1st and 7th centuries A.D., it is characterized by the vast size of its monuments – in particular, the Temple of Quetzalcoatl and the Pyramids of the Sun and the Moon, laid out on geometric and symbolic principles.
Human occupation of the valley of Teotihuacan began before the Christian era, but it was only between the 1st and the 7th centuries A.D. that the settlement developed into one of the largest ancient cities in the Americas, with at least 25,000 inhabitants.
A full-day excursion took us to the City of Teotihuacán where my son and I climbed to the tops of the Pyramids of the Sun and Moon. The Pyramid of the Sun is the third largest pyramid in the world rising to 75 meters (246 feet) high. The 248 steps to the top are high and narrow. I won’t show you a photo of what I looked like once I got to the top, but trust me, I did it. We also climbed the Pyramid of the Moon which is 43 meters (140 feet) high.
Pyramid of the Sun: The pyramid’s base is 222 meters long on each side, and it’s now just over 70 meters high. The pyramid was cobbled together around AD 100 from three million tonnes of stone, without the use of metal tools, pack animals or the wheel. (Source: http://bit.ly/2r8Zr9p).
Temple of the Feathered Serpent
The structure known as the Temple of Quetzalcoatl or the “Plumed serpent,” was built between 150 and 200 a.d. It consists of seven stepped bodies, with “slope and panel” designed walls on all four sides, decorated with plumed serpents, carved in stone, which move among seashells. (Source: Site placard).
As we walked down one of the pyramids, we saw these stones jutting out of the slanted wall. There wasn’t a sign telling us what they were but we surmised they are there to break someone’s fall should they have the misfortune of tumbling down the pyramid.
El Bazaar Sábado
Early Saturday morning, we made our way to the neighborhood of San Ángel for the Bazaar Sábado. We walked along cobble-stoned streets into beautiful colonial buildings and around the periphery of San Jacinto Square overflowing with artists. Artisans in many crafts gather every Saturday morning featuring artwork in leather, glass, pottery, jewelry, and textiles. The Androna textiles were magnificent in their multi-colored hues.
Textile techniques and designs are a living heritage passed from mothers to daughters throughout generations in regions like Oaxaca, Chiapas, Puebla, San Luis Potosí, Guerrero, Hidalgo and Yucatán. With materials such as cotton, silk, wool and linen, Androna Linartas curates traditional textiles made with different techniques like back strap loom, foot loom, embroidery and hook among others. Her goal is to preserve the essential Mexican textile culture. (Source: http://bit.ly/2suKWAI).
This is already a long post so I will stop here. Luckily, the flight to CDMX is only two and a half hours from Houston. I see another trip on the horizon. Hasta la próxima.
When carrying my knitting around, I like to keep it in nice project bags. I used to drop works in progress (WIPs) into ziplock bags and throw them into my purse or tote bag. It was handy but not very attractive. I have a couple of large bags that I’ve acquired through the years that are my standbys. Those are better suited for large WIPs; one of them is currently holding a blanket that will ultimately fit a double-sized bed. Another is a tote bag with a witty phrase. For small projects – like socks – I use this little silk bag.
The bag is 8.5″ tall, 8″ wide and about 2″ deep (21.5 cm x 20 cm x 5 cm). It fits the necessary yarn, needles, notions, and patterns for socks, hand warmers, a hat or other small projects.
It is fully lined and cinches closed. And it’s pretty. It’s meant to be a nice evening bag but I repurposed it for knitting.
I happen to have a couple of these in flowery peach and light blue colors so I thought I would have a giveaway in celebration of spring. I will randomly select one recipient for the silk bag (and perhaps a few other surprises) on or around the Spring Equinox.
The following actions will enter you into the drawing. Multiple entries are encouraged!
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Thank you for reading Agujas and enjoy the spring weather!
Where else would one find a barn full of yarn but in Texas? In actuality, the Yarn Barn is housed in a sweet cottage with a porch and old wooden floors. You walk through the various rooms realizing that this was someone’s home once upon a time. It is a quaint cottage full of beautiful yarn.
Today’s Yarn Barn is under new ownership. When I lived in San Antonio, the old Yarn Barn was my LYS. I remember when they were closing – their lease was up and they would have to find a new location – so the owners decided to retire. I was so worried that the Yarn Barn would cease to exist! But not to worry. Enid came to the rescue and kept its doors open.
The new Yarn Barn has a wonderful selection of yarns in all fibers and colors.
The Yarn Barn also caters to needlework beyond knitting and crocheting and has an extensive selection of canvasses and threads for needlepoint, cross stitch kits and some weaving supplies.
The Yarn Barn is located at 1615 McCullough Avenue in San Antonio, Texas. Parking is a challenge, especially if you park out front, but they do have overflow parking across the street. The location is a bit off the beaten path – not much retail around it – but accessible from IH35 and the McAllister Freeway (U.S. 281).
For our holiday in Stockholm, we found the most adorable apartment through Airbnb. Monica’s apartment had everything we could possibly need – a comfy living room, narrow but incredibly well-organized and stocked kitchen, and a fold-down bed that didn’t take up much space. The lift to the third floor was one of those old-fashioned ones that just fit two people and had a metal accordion door. The apartment was located only one long block from the metro. The SoFo (South of Folkungagatan) neighborhood was very eclectic and bohemian with antique stores and fab pubs nearby. My husband and I wanted to just take up residence in Monica’s apartment forever, but we figured she needed it back eventually.
It’s impossible to visit Sweden and not run across yarn shops. Yet another reason why I ❤️ Sweden. I had a list on the ready for our forays around town. Our first stop was Stick it Up, located in SoFo only a brisk 15 minute walk from Monica’s apartment.
Stick it Up is a small shop with a nice selection of yarn in natural and man-made fibers. The owner was kind and friendly and explained the sources of the various yarns. I narrowed my selection to these 100% wool skeins intended for Lovikka mittens, which the owner explained were traditional in Sweden. Once home, I looked up the history and found a nice summary about the origin of the mittens on the Heart of Lovikka website. I brought home two skeins of a lovely green (not pictured here). Stick it Up is located at Ringvägen 64, 118 61 Stockholm, tel. 08-642 00 13.
Content with my purchases, we headed over to Gamla Stan to explore the old town center. As we meandered through the cobblestone streets, I spotted this in a dark window – yarn!
Alas, as I got closer, the shop was closed. All I could do was cup my hands against the window and look longingly at the baskets full of yarn. The shop was tiny, meant only to walk in, buy and leave. Makeri 14 is located at Köpmangatan 14, 111 31 Stockholm.
The next yarn shop was located near a statue of St. George slaying the dragon. I easily spotted it because this was hanging outside the door.
Anntorps Väv was also somewhat small but had a luscious collection of yarn in natural fibers. Just look at these 100% silk beauties in the window! The proprietress spoke a little bit of English and I spoke not a bit of Swedish but we managed to point and understand each other perfectly. The silk is spun for the store and she hand dyes it in these jewel-tones.
The other reason the shop is small is because this large loom takes up most of the space. When we walked in, the proprietress was weaving on it. In the store were large fluffy blankets she had woven on the loom. Anntorps Väv is located at Österlånggatan 11, 111 31 Stockholm, tel. 0046(0)8 676 00 23. It’s a few doors down from Stockholms Gästabud Bar and Bistro where we had those fabulous Swedish meatballs (pictured in previous post).
Window shopping in Gamla Stan is heavenly when you spot things like these skeins.
Galleri Yamanashi is located in a largish space in a busy corner with large windows facing the street. The gallery is very nicely laid out inside with plenty of room to look around. Throughout the space, there are examples of tools used in the spinning of yarn.
Their selection of yarns was nicely curated and presented. There were natural skeins of wool in burlap sacks and dyed skeins in large baskets. A large wall cubby housed skeins in various weights and colors.
During my visit, the shop had a special exhibition showcasing entries from the 2015 Wålstedts Textile Art Contest. The contest is a knitting and weaving competition between Sweden and Japan using Wålstedts yarns. To see the other winning entries in both weaving and knitting categories, go to galleri-yamanashi.se.
I was curious about Wålstedts yarns. According to the gallery’s website, the Wålstedts spinneri is one of the oldest spinning mills in Sweden dating back to 1934. Their fibers are sourced from Swedish sheep and have been cleaned, spun and dyed by four generations of the Wålstedts family. The following video from the Wålstedts Textilverkstad website depicts gorgeous Swedish country landscapes and the process the family uses to make this beautiful yarn.
There were several bags full of wool fibers from the Wålstedts factory dyed in rich colors around the gallery. Galleri Yamanashi is located at Köpmantorget 1, 111 31 Stockholm.
The final yarn shop I visited was Sticka, also located in Gamla Stan. At the entry, I was greeted by this ferocious ceramic bulldog – too cute!
The interior of Sticka looks more like a clothing shop than a yarn store. Displayed on racks throughout the space were beautiful, airy knitted items for purchase, such as shawls and sweaters. They had a small but nice selection of yarns from various countries but not too many local yarns. Sticka is located at Österlånggatan 37, 111 31 Stockholm, tel. +46 8 23 37 37. For some reason, the website will not display but here is a link to their Facebook page.
That concludes my Swedish yarn crawl. I know there were many more yarn shops that I could not possibly visit during my stay. Good enough reason to return one day!