Mostly to release tension during my MBA program, I started knitting a scarf. It took a long time because I only worked on it in short spurts. But the motion of the needles and the fusion of the colors gave me something to focus on besides case studies on Starbucks and Amazon.
I found this amazing free pattern called Born Trippy on the Hedgehog Fibres site. I liked that the samples used all sorts of funky color combinations and it had cool uneven edges. I started with a lovely skein I had gotten at Homespun Boutique during one of my MBA residencies in Ithaca. This is Serenity Silk Single, a fingering weight yarn from Zen Yarn Garden: 430 yards, 75% Superwash Merino / 15% Cashmere / 10% Silk in Fr. Vanilla Blurple (bottom ball).
Then I went through my stash and looked for complementary and contrasting colors. This is what I came up with:
Leftover yarn from Copenhagen (the shimmery solid blue and gray): Duo Silk/Merino from Design Club DK, 65% Merino Wool / 35% Silk.
A partial skein of Fine Sock yarn (the minty blue-green): Spud & Chloe, 80% Superwash Wool / 20% Silk in Color 7806 / Calypso.
Another purchase from Homespun Boutique (yellow/green variegated): Ty-Dy Socks from KNIT ONE, Crochet Too, 436 yards, 80% Superwash Wool / 20% Nylon.
Here’s a close-up of the Ty-Dy ball.
As I made progress on the scarf, I introduced the variegated yellows and greens, the solid blue and gray, and the minty blue-green. It all flowed nicely and those uneven ends were easy to make.
It’s important to block this piece so that the ends are nice and sharp.
Here is the FO (finished object) with its refreshing colors in the sun.
Someone wanted to hang out with me while I took the photos.
I am very pleased with the fusion of the colors.
The combination of wool, cashmere and silk give the scarf a lovely drape.
This is a great pattern to use when you have a single skein and leftover yarns in the same weight. You can repurpose those bits and pieces and make something beautiful.
If you follow my blog, you may recall that I started an Executive MBA program in the Summer of 2016. I am happy to report that this past February, I submitted my final assignment and graduate this May! It took me almost 20 years, but I finally accomplished a goal I’ve had for a long time. It’s never too late to refresh and sharpen your skills. If you are interested, I was interviewed for an article on why I chose to do an MBA at this stage of my career. A student currently in their first year of the program was also interviewed.
Here I am with my cohort.
As you might imagine, the MBA curriculum left little to no time for blogging or knitting. Nonetheless, I did sneak in a few skeins here and there. On a trip to Austin to see my son (who is an undergraduate there), I went in search of my fave LYS (local yarn store) which had moved to a new location. Hill Country Weavers was formerly housed in a quaint Victorian on a hip strip on South Congress. After visiting my boy, my husband drove me to their new location at 4102 Manchaca Road, Austin, Texas 78704. It’s a much larger space than what they had previously and with the same incredible selection of gorgeous yarns.
I had seen enticing photos of FOs (that’s finished objects for the uninitiated) using yarns from Hedgehog Fibers, but I had never purchased any. After walking around their new digs, I headed over to the Hedgehog Fibers section and ogled all the color combinations. Even though I would not have time to do anything with it, I purchased this lovely skein. It’s called Boombox and it’s 437 yards of fingering weight yarn made of 90% Superwash Merino Wool and 10% Nylon for a bit of stretch.
I also could not resist this Sock Mini in Banana Legs yellow. It’s 87 yards of the same soft 90% Superwash Merino / 10% Nylon and perfect for adding a splash of color.
I haven’t decided what these beauties will become but I’m looking forward to wrapping my fingers in this yarn and going at it with my needles.
Somehow between running multivariate regressions, drawing supply and demand curves, case studies and five forces analyses, I found time to knit.
The projects took longer to complete as I fit in spurts of knitting between exams and assignments. These socks started out at Mom’s house so it was fitting that they be for her.
This is the first time I used a Schoppel Crazy Zauberball and what a joy it was to knit. The colorway is Papagei (parrot). The colors flowed into each other languorously. Row by row, the transitions morphed into rich textured colors.
Knitting these socks was like a process of discovery wondering what the next color combination would look like.
These were a labor of love knitted in small spurts. The time out from school was like a special treat, like smoking cigarettes behind the gym between classes.
Mom loved them. She called to tell me she put them on as soon as she opened the package. Her feet were cold and she was trying to get comfortable. From my hands to her feet. Feet that paced the floor while she held me in her arms, scurried around the kitchen while she prepared dinner and which stayed firmly planted while she scolded me for some childhood transgression.
I didn’t tell her they were in the mail. I could almost see her ripping the package open wondering what was in it. I hope she wears huge holes in them.
Visiting Mexico City means taking in the larger-than-life murals of Diego Rivera. We visited three locations featuring these exquisite frescoes.
The Palacio Nacional (National Palace), which houses the office of the President and other cabinet departments, contains a historical timeline of Mexico as depicted by Rivera. It is difficult to capture the grandeur of these detailed murals of the Mexican civilization. I will share only two murals with you, one showing the indigenous cultures that flourished before the Spanish conquest, and one after.
After the Mexican Revolution Rivera was concerned with two issues, and these determined his artistic themes: the need to offset the contempt with which the conquistadors had viewed the ancient Indian civilizations, and the need to offset the anti-mestizo and anti-Indian attitudes of the European-oriented ruling classes during the porfiriato (the dictatorship of Porfirio Diaz).
The role of the arts was to restore understanding of and pride in the heritage and cultures that the concept of Spanish superiority had subverted . . . early indigenistas [like Rivera] tended to glorify the Indian heritage and vilify that of the Spaniards as a means of rectifying a historical imbalance and advancing certain political ideas” (103). (Source: http://bit.ly/2sBTjbn)
Ruins of the structures depicted can be found at El Tajín, Veracruz. At the Museum of Anthropology, we saw the rings and balls used in the ball courts in the upper left corner of the mural.
The Arrival of Cortés
… he depicts in dramatic fashion the violence and exploitation of the Spanish conquerors. Natives hanging in the background, the branding of the native in the foreground, and the reduction of the indians to slaves and pack horses show the cruelty and savagery of the Conquest.
In the center is La Malinche (Doña Marina), a native woman who became Cortés’ mistress and mother of his child Martín. Malinche knew both the (Aztec) Nahuatl language and Maya, thus enabling Hernán Cortés to communicate in both. She became a very valuable interpreter and counselor. The blue-eyed child staring outward at us represents the mixture of the races. (Source: http://bit.ly/2tubi3n)
At the Palacio de Bellas Artes, a magnificent art deco building that hosts visual and performing artists, is the famous mural, “Man, Controller of the Universe.” This is the recreation of the mural that Rivera painted at the Rockefeller Center and which was destroyed in 1934. It is almost impossible to capture the entire mural given its size and frequent visitors, so I show you the panel that caused the controversy.
Man at the Crossroads
Man at the Crossroads … is a whodunit tale that also illustrates the tensions between art and politics.
… the piece would have been stunning had it survived. He had this vision of the importance of technology in the future and the hope that there would be a coming together of workers and industrialists and businessmen to further mankind in general, … It was a very hopeful mural. (Source: Destroyed by Rockefellers, Mural Trespassed On Political Vision, NPR. http://n.pr/1G1R5Rj)
If you are ever in CDMX and want to get unobstructed views of Rivera’s murals, go to the Ministry of Public Education, a few blocks away from the National Palace. We had the entire grounds practically to ourselves. The building has two large courtyards with Rivera’s murals covering several floors in each.
Attempting to sum up his 235 panel cycle, Rivera later writes that his goal was “to reflect the social life of Mexico as I saw it, and through my vision of the truth to show the masses the outline of the future.” (Source: http://mo.ma/2sBNvia)
While all of the frescoes have their own story, these were my favorite. They depict the daily arts of dyeing and weaving.
Los Tintoreros (The Dyers)
Los Tejedores (The Weavers)
The one mural I have not seen is Sueño de una tarde dominical en la Alameda Central (Dream of a Sunday Afternoon in Alameda Central Park) located at the Museo Mural Diego Rivera. Therefore, I must return to CDMX one day!
Our trip to CDMX (Ciudad de México or Mexico City) was packed with visits to historic archaeological sites, museums, street festivals, and restaurants serving the most delicious food. These photos do not do justice to the sights, sounds, and smells of the city but they will give you a glimpse of the amazing CDMX.
The Great Temple was the Mexica sacred space par excellence. The most important rituals were enacted here, including those dedicated to their gods, the naming of their leaders, and the funerals of the nobility. The Mexica architects designed the Great Temple as the center for their model of the universe, where the horizontal plane converged with the vertical plane. (Source: Site placard).
Frida Kahlo’s blue house is located in the neighborhood of Coyoacán. The word means roughly “place of the coyotes” in náhuatl, an Aztec language still spoken today. The neighborhood is vibrant. Walking along the shady streets, we came across this brightly decorated altar to the Virgen de Guadalupe.
Our destination was La Casa Azul, the home that Frida Kahlo was born and died in. A hand painted sign tells visitors that Frida y Diego vivieron en esta casa 1929-1954 (Frida and Diego lived in this house 1929-1954).
Frida’s studio still has her collection of paint bottles and brushes.
A special exhibit called Los Vestidos de Frida Kahlo (The Dresses of Frida Kahlo) displayed the artist’s clothing, jewelry and footwear. Also on display were the tight corsets she wore as a result of a childhood accident that left her with a lifetime of pain.
“My painting carries with it the message of pain.” – Frida Kahlo.
The exhibition takes its title from an artwork by Frida Kahlo of the same title – Las Apariencias Engañan (Appearances can be Deceiving) – where Kahlo portrays herself in manner of an X-Ray, revealing her dramatic disabilities concealed beneath the layers. (Source: http://bit.ly/2s0j0lC)
Giant paper mâché figures are located throughout the house and courtyards.
Leon Trotsky’s house is a ten minute walk from La Casa Azul. The home is simple and the grounds peaceful although the guard towers and bullet holes in the walls tell another story.
Trotsky’s desk still has the items he used on a daily basis – his spectacles, papers and ink bottles.
The Mercado de Coyoacán is a typical Mexican market with all kinds of touristy items on sale including pottery, traditional dresses, puppets, t-shirts and the like. The market also carries an abundance of fresh fruit, meats and spices. Walking along all the circuitous aisles I finally spotted yarn. I didn’t buy any but it was nice to see and touch.
City of Teotihuacán
The holy city of Teotihuacan (‘the place where the gods were created’) is situated some 50 km north-east of Mexico City. Built between the 1st and 7th centuries A.D., it is characterized by the vast size of its monuments – in particular, the Temple of Quetzalcoatl and the Pyramids of the Sun and the Moon, laid out on geometric and symbolic principles.
Human occupation of the valley of Teotihuacan began before the Christian era, but it was only between the 1st and the 7th centuries A.D. that the settlement developed into one of the largest ancient cities in the Americas, with at least 25,000 inhabitants.
A full-day excursion took us to the City of Teotihuacán where my son and I climbed to the tops of the Pyramids of the Sun and Moon. The Pyramid of the Sun is the third largest pyramid in the world rising to 75 meters (246 feet) high. The 248 steps to the top are high and narrow. I won’t show you a photo of what I looked like once I got to the top, but trust me, I did it. We also climbed the Pyramid of the Moon which is 43 meters (140 feet) high.
Pyramid of the Sun: The pyramid’s base is 222 meters long on each side, and it’s now just over 70 meters high. The pyramid was cobbled together around AD 100 from three million tonnes of stone, without the use of metal tools, pack animals or the wheel. (Source: http://bit.ly/2r8Zr9p).
Temple of the Feathered Serpent
The structure known as the Temple of Quetzalcoatl or the “Plumed serpent,” was built between 150 and 200 a.d. It consists of seven stepped bodies, with “slope and panel” designed walls on all four sides, decorated with plumed serpents, carved in stone, which move among seashells. (Source: Site placard).
As we walked down one of the pyramids, we saw these stones jutting out of the slanted wall. There wasn’t a sign telling us what they were but we surmised they are there to break someone’s fall should they have the misfortune of tumbling down the pyramid.
El Bazaar Sábado
Early Saturday morning, we made our way to the neighborhood of San Ángel for the Bazaar Sábado. We walked along cobble-stoned streets into beautiful colonial buildings and around the periphery of San Jacinto Square overflowing with artists. Artisans in many crafts gather every Saturday morning featuring artwork in leather, glass, pottery, jewelry, and textiles. The Androna textiles were magnificent in their multi-colored hues.
Textile techniques and designs are a living heritage passed from mothers to daughters throughout generations in regions like Oaxaca, Chiapas, Puebla, San Luis Potosí, Guerrero, Hidalgo and Yucatán. With materials such as cotton, silk, wool and linen, Androna Linartas curates traditional textiles made with different techniques like back strap loom, foot loom, embroidery and hook among others. Her goal is to preserve the essential Mexican textile culture. (Source: http://bit.ly/2suKWAI).
This is already a long post so I will stop here. Luckily, the flight to CDMX is only two and a half hours from Houston. I see another trip on the horizon. Hasta la próxima.