Of Handmade Quilts

These are the last two quilts from the International Quilt Festival last weekend. Undoubtedly, they both represent superior craftsmanship but what appealed to me most was the theme. If you read My First Post, you will understand why I love these quilts showing a woman’s hands at work.

This first quilt, “The Mending,” captures a woman’s hands mending fractured lives. In the quilter’s words:

Women find themselves continually mending the fabric of their lives, trying to restore beauty and function in the aftermath of war, greed and lust. This quilt began as a collage of photos collected over a decade of living, working and traveling overseas. The quilt top was then torn, cut, burned and shot – literally, tearing families apart. Finally, the woman’s hands are shown working to stop the destruction, mend the damage, and repair the vision.

The Mending by Lea McComas, Colorado.”

Upon seeing this quilt, I couldn’t help but think about atrocities committed against women. Just the other day, there was an article on CNN about how women and girls in Haiti continue to be raped in the makeshift tent cities that serve as their not so temporary homes. A BBC report recounts details of sexual violence against prisoners in Syria. There are many more stories every day.

I did not mean to lead you down an unhappy path. But my heart goes out to these women and I am ever more grateful for so many blessings in my own life.

On the other end of the spectrum, this next quilt represents the power of friendship and community-building. The artist made this quilt to commemorate her ten years as a quilter. Her design inspiration was “the people who gather at a quilting bee.”

Viva Quilt by Noriko Nozawa, Japan.

It is heartwarming to see so many hands at work. Each person contributes busily cutting, sewing and ironing and each leaves his or her mark on the quilt. This quilt fills me with joy and leaves me feeling hopeful about what people can do when they come together, each contributing their own unique gifts.

More Fabulous Quilts

More quilted beauties from the International Quilt Festival Houston 2012.

Flora …

Pink Snow by Vivian A. Kapusta, Canada.
Papaver Somniferum by Grace Meijer, United Kingdom.
Award of Merit.
The Button Box by Rebecca Navarro, Texas.
Detail of tree branch covered in button flowers.
Leaf Like Life by Dalia Eliraz, Israel.
Workmanship Trophy.

… and Fauna

Rainbow Lorikeet by Helen Godden, Australia.
Honorable Mention – Art Painted Surface.
Show Your Colors; Stand Out From the Crowd by Kristin Vierra, Nebraska.

Home Sweet Home

Berne House Quilt. Made by members of the Bernese Quilters in Switzerland. 150 different blocks were made separately and then put together.
Colores by Michelle Jackson, New Mexico. The quilter was inspired by a photo of an old adobe house in New Mexico.
Lazy Afternoon by Michelle Jackson, New Mexico. “I love the character of older homes. This one was inspired by a photo of a house taken in Madrid, New Mexico, as it basks in the afternoon sun.”
The Jennings Homestead by Suzanne Mouton Riggio and 26 members of the Milwaukee Art Quilters, Wisconsin. “… a group of 40 artists, have been meeting for over ten years in the business space [of the homeowners]. In gratitude … the group made a slice quilt of their Victorian home.”
Tutti Frutti Village by Susan Bleiweiss, Massachusetts.
Honorable Mention – Art Whimsical.
The quilter used hand-dyed sandwashed cotton.

What’s black and white and red all over?

Lady Dova by Deborah Stanley, California. Inspired by the horse race scene from My Fair Lady.
Searching for Coco Chanel by Teresa Shippy, California.
The Red Shoes by Linda Stone, California.
Flamenco by Jin Gook Yang, Korea.
Wrath by Dianne Firth, Australia.
“…wrath can be used to describe the uncontrollable forces of nature that wreak havoc on humankind through fire, flood, cyclones and other disasters.”
Convergence by Latifah Saafir, California. “‘Convergence’ is about coming together and meeting at a common point; but, it is also about approaching limits.”

Peace Quilts

The Rainbow Staircase by Nairn Stewart, Canada. “The individual steps, which are high relative to the size of the figures, represent the obstacles which threaten women’s security.”
Let the Sunshine In by Anna Hergert, Canada. “The collective spirit empowers women around the world, whether rich or poor, covered or uncovered, old or young, oppressed or free, no matter what our skin color or spiritual convictions.”

Award Winning Quilts

This is the second year of enjoying the breathtaking artistry of quilts at the International Quilt Festival Houston 2012. It was like seeing works of art at a museum. It was sometimes hard to believe that what I was seeing was actually pieces of fabric. My camera loved the quilts so there are many photographs. If you can’t wait to see more, you can visit the Textile Ranger at Deep in the Heart of Textiles. She was there too although we didn’t bump into each other!

These quilts were all award winners. For a complete winner’s list and even more quilt pictures, go here.

America, Let It Shine by Sherry Reynolds, Wyoming.
The Handi Quilter® Best of Show Award.
“The 5,121 Swarovski cystals represent the words of the Constitution, Star Spangled Banner, Pledge of Allegiance and the age of the country.”
ElaTED by Ted Storm, The Netherlands.
The Founders Award.
“To challenge myself, I started with my least favorite color and fabric: brown and plaid.”
Hot Africa by Janneke De Vries-Bodzinga, The Netherlands.
The World of Beauty Award.
“I was in Kenya during the dry season, took this photograph, and made a quilt of this impressive moment.”
Crème de la Crème by Bonnie Keller, Chehalis, Washington.
Award for Traditional Artistry.
“I put the vibrant green Morris reproduction backing fabric with the right side facing inward in order for it to shadow through to the front, creating a subtle grayed background.”
Fiesta Mexico by Karen Kay Buckley and Rena Haddadin, Pennsylvania.
Master Award for Innovative Artistry.
“The original appliqué and quilting designs were inspired by the bright colors in Mexican pottery and flora.”

More quilt pictures coming soon.

A Very Crafty Evening

This is my second year attending the annual Artisan’s Market presented by the Contemporary Handweavers of Houston (CHH). The market runs from September 6 – 8 so if you are near Houston, you still have Saturday to stop by.

I am so glad that I went on their opening night. I did my usual walk around the rooms to look at all the displays. I then picked up a small plastic basket from the front so I could begin collecting the beautiful handwoven textiles, baskets, handmade jewelry, handspun yarn, and felted ornaments that I had singled out. I was too slow. Those ladies are fierce! Several items I had on my mental checklist were gone! Nonetheless, I had a great time looking, touching and taking pictures.

I saw beautiful handwoven textiles.

There were felted bracelets, handmade cards, woven rugs and artwork.

There were felted baskets, silk baskets and other sculptured baskets.

There were ghosts and goblins and catnip wrapped like mice for the upcoming Autumn holidays.

Even Saint Nicolas’ helpers offered their wares for the yuletide season.

Of course, there was yarn.

A huge round of applause to all of the fiber artists who produced these beautiful handmade items. By the crowds and the long line at check out, I am pleased to say that Houstonians truly appreciate the handcrafted arts.

If you want to see more lovely items like these, this is the post I wrote about last year’s event.

Weaving Home Exhibit

This past weekend, I attended a weaving demonstration sponsored by the Houston Arts Alliance. Weaving Home: Textile Traditions from Houston’s Karenni Community showcases the weaving process and textiles created by women refugees from Myanmar (formerly known as Burma). For the Karenni, weaving is both a tradition from their homeland and a means of providing financial support for their families.

I had not fully appreciated that Houston is home to several refugee communities from across the globe. These men, women, and children flee their countries as a result of armed conflicts and other conditions difficult to imagine. A local organization, The Community Cloth, supports these refugee communities. Through seed grants, The Community Cloth empowers refugee women to create and sell their handmade crafts.

The live demonstration featured a Karenni weaver using a back strap loom. With her permission, I captured some shots of her at her craft. I found the movement of her hands to be almost poetic.

Click on any photo for a large-screen view.

The rest of the exhibition featured displays of beautiful woven textiles. Items included traditional clothing and bags, and more modern items such as table runners and scarves.

The craftsmanship was evident in the patterns and lively colors. I was able to touch the textiles and appreciate the delicacy of the fine threads. The materials varied but were mostly made of cotton and some synthetic blends.

The purchase of this incredibly soft woven scarf was my little contribution to the Karenni microenterprise.

The Houston Arts Alliance website has a section devoted to the Weaving Home exhibit which I highly encourage you to read. You can learn more about and sponsor a seed grant for women artisans at The Community Cloth.